CTV Simplified! Samsung Ads’ Alex Spurzem Debunks Your Greatest CTV Myths
The more discerning among you may have noticed a new category making its debut in this year’s B&T Awards presented by YouTube: the “Best CTV Campaign” sponsored by Samsung Ads.
It’s about damn time we start recognising and celebrating how advertisers employ data, technology and creative innovation in CTV to deliver substantial results.
Why didn’t we think of this sooner??
Perhaps it’s because CTV is still shrouded in mystery for some (obviously not us, though). Luckily, the General Manager of Samsung Ads Australia, Alex Spurzem, lent us his time to get the lowdown on CTV…
B&T: Let’s start with the basics. What is CTV, and what’s all the fuss?
AS: Now I may be showing my age, but remember when your mobile phone was just for making calls and the occasional text? Fast forward to today, and we don’t even call them smartphones anymore. Well, something similar is happening to your TV; they are becoming smarter, more personalised and more connected. CTV simply stands for “connected TV” and is any television set used to stream video over the Internet.
The pandemic has acted as a catalyst for viewing habits. Australians are watching more content than ever, but in a more hybrid manner across streaming and linear environments. In Australia, a recent study showed that 9/10 people were streaming content on their “connected TV”.
Simply put, the connected TV is becoming the entertainment hub of the household, and savvy marketers are already taking note.
B&T: What do people get wrong about CTV?
AS: Streaming is no longer an emerging behaviour. It’s here, and it’s time to take advantage of new opportunities.
Australia’s consumption of streaming services overtook Linear TV in Australia last year, and if you ignore the exponential growth, you could fail to reach your audience. Only eight per cent of Samsung’s Total TV universe in Australia are exclusive linear watchers, compared to 23 per cent who are exclusively streamers.
Adding to that, just under half (46 per cent) of Samsung TV users are hard to reach on linear TV because they are either exclusively streamers or spend very little time watching linear.
So, anyone buying Linear TV only will miss out on a growing streaming audience.
The truth is, it’s really not an either-or debate. Linear and CTV can supplement and complement each other by using CTV to gain incremental reach across a highly fragmented market of viewers. It’s about looking at your budget carefully and balancing your reach and frequency across both linear and CTV to de-duplicate your audience and gain that incremental reach.
B&T: Samsung Ads is sponsoring the new Best CTV Campaign category at the B&T Awards, so clearly, you’re confident about its potential. What makes you most excited about the future of CTV? What’s your favourite aspect of CTV?
AS: Linear TV, connected TV, and digital video are converging. As a result, advertisers can innovate and get creative. For example, using technology to ensure brands don’t miss out on audiences they may not have been able to reach in other elements of their campaigns.
There are also more opportunities for advertisers to create immersive experiences. Whether through digital engagement, QR codes or dynamic CTA’s I’m excited for the next iteration of creative ads that go beyond repurposing TVCs. There are powerful tools that can help with mechanics that drive more business-focused outcomes; for example in-store visits, test drives, brand uplift or website conversions, those that are more digital (and therefore measurable) in nature. I can’t wait to see what creative advertisers come up with in both this and in the coming years.
CTV also adds value to the brand-building and broadcast appeal of linear TV, because it’s a new opportunity to go deeper into audiences’ interests or even focus on contextual relevance. It’s a complementary insights layer that can be used alongside other platforms.
People with highly specific interests now have viewing options to fulfil them and with more people plugged in than ever before, I expect that we’re going to see a boom of creative dollars being spent and incredible content.
B&T: Why do you think it’s essential for people doing great work in CTV to enter awards such as these?
AS: Advertisers have never had the opportunity to combine data-driven precision with creativity like this before. Entering and even winning this category is a huge opportunity to stamp a pioneering outlook and authority in this space; innovative marketers who are keen to explore new opportunities and ways of thinking are more likely to succeed.
It’s not just a chance to demonstrate the effectiveness and power of CTV, it’s also an opportunity to showcase how you collaborate across disciplines, such as storytelling, video production and digital to create a campaign that impacts the bottom line and connects with audiences in a meaningful way.
B&T: What advice do you have for people entering this category? If not this year, then next?
AS: Our market here in Australia is still emerging, with lots of exciting campaigns, but it’s worth remembering that this is the first time we’ve seen awards dedicated to our growing ecosystem.
I think the judges will be looking for campaigns that tapped into the growing CTV toolkit in an innovative way.
I imagine those who combine the targeting precision of digital with impactful storytelling and smart contextual references to build brands will stand out. Those that have real-world business impact included will likely reap the benefits.
As we already discussed, CTV campaigns are complementary to linear. So, I also think that the judges will also notice advertisers that harness the power of addressability or dynamic creative to maximise ROI of a campaign could do well, by extending reach strategically across innovative planning and creative execution.
B&T: Any final words of wisdom?
AS: Advertisers have always had to follow their audiences, and CTV presents a new opportunity to fluidly extend the reach of both brand and performance campaigns across a myriad of viewing experiences.
You can check out the finalists for this year’s Best CTV Campaign award, as well as the finalists for all the other categories in part one and part two of the B&T Awards’ 2022 shortlists.
The B&T Awards gala will be held on Friday, 4th November 2022, at Moore Park’s Hordern Pavilion.
Haven’t got your tickets yet? Consider this a timely reminder to secure your seat at the industry’s biggest silly season shindig. Pronto!
Thank you to Samsung Ads and all the other sponsors for this year’s B&T Awards. We wouldn’t be able to put on the industry’s favourite event without your support.
Latest News
Sydney Comedy Festival: Taking The City & Social Media By Storm
Sydney Comedy Festival 2024 is live and ready to rumble, showing the best of international and homegrown talent at a host of venues around town. As usual, it’s hot on the heels of its big sister, the giant that is the Melbourne International Comedy Festival, picking up some acts as they continue on their own […]
Global Marketers Descend For AANA’s RESET For Growth
The Australian Association of National Advertisers (AANA) has announced the final epic lineup of local and global marketing powerhouses for RESET for Growth 2024. Lead image: Josh Faulks, chief executive officer, AANA Back in 2000, a woman with no business experience opened her first juice bar in Adelaide. The idea was brilliantly simple: make healthy […]
Is Meta’s New AI Chatbot Too Left-Wing?
Meta's chatbot accused of being left-wing after being caught wearing a Che Guevara T-shirt & listening to Billy Bragg.
TV Ratings (23/04/2024): Why Did No One Tell Angela That Farmer Wants A Wife Is Set On A Farm?
As wonderful as this headline is, let's face it, we all know an 'Angela', don't we?
PubMatic Unveils New AI Partnership To Turn Social Posts Into Ads For Any Digital Channel
Here's some nifty tech for turning social posts into ads. Assuming said posts aren't one-star character assassinations.
Intuit Mailchimp Makes A Splash With Its First Australian Brand Campaign
Ever laugh along at a gag you didn't get so as not to appear dumb? Get ready for more feigning with this new work.
GumGum’s Rob Hall: Advertisers Can No Longer “Rely On Binary Descriptions” Of Consumers
If anyone's got their finger on adtech's pulse, it's Rob Hall. He also avoids using the good paper in the office printer
Mastercard Nabs Florencia Aimo From Marriott International
Marriott International's Florencia Aimo jumps from the hotel business to the exploitative credit card one.
Bastion Agency Appoints Cheuk Chiang As New ANZ CEO
Cheuk Chiang takes the reins over at Bastion Agency. But not the rains down in Africa.
Spotlight On Sponsors: Major Sponsorship Wins After A Disappointing Week In Sport
B&T continuing our deep dive into local sport sponsorships & that's despite not a single offer of a free ticket as yet.
Macca’s Marketing Director, Samantha McLeod On Big Mac Chant: “What Was Once Old Is Now Cool Again”
Macca's using the power of nostalgia in latest Big Mac campaign. Well, only for those who've ever eaten one sober.
World Premiere Of Midnight Oil: The Hardest Line To Open Sydney Film Festival 2024
Oil's biopic to open Sydney Film Festival. Here's hoping Molly Meldrum will take his pants down at the premiere.
Entries Are Now Open For The 2024 Brandies, IntelligenceBank’s Annual Brand Marketing Awards
The Brandies are, of course, a prestigious marketing gong and not the mystery tipple favoured by nannas everywhere.
The Fred Hollows Foundation Appoints Ardent For PR
Yes, we all like to have a joke at PR's expense. But sometimes it does important work, like this.
AI, eCommerce & Marketing Specialists Are In Increased Demand By Businesses, New Data From Fiverr Shows
Has your philosophy & anthropology degree left you with nothing but a huge HECS debt? Here's what you should've studied.
Perth’s First 3D Anamorphic Billboard Arrives Courtesy Of oOh!media
Do you love a buzzword? Now you can add anamorphic to the list as it relates to billboards, not a colleague's ears.
MasterChef Australia & Crown Resorts Launch Unique Dining Experience With ALUMNI
A pop-up restaurant staffed by MasterChef contestants! That's fine dining prices for first-year apprentice chef cuisine!
Amanda Laing Announces Resignation From Foxtel Group
Foxtel's chief commercial & content officer heads for the exits. Read nice things the bosses said about her right here.
The Lost Letters From Our Diggers: News Corp Unveils ANZAC Day Special
It's nice when brands respectfully acknowledge ANZAC Day.
Howatson+Company Acquires Akkomplice
Large indie acquires a slightly smaller indie. Much like a shark eating a tuna, just with less thrashing and blood.
Google Delays Third-Party Cookie Deprecation Again
In good news for the sale of picture library biscuit photos, Google continues to tease over the end of cookies.
Education A Low Priority For Aussies More Concerned With Cost Of Living Forethought Study Reveals
Study finds Aussies cutting back on education due to cost of living. Booze & Uber Eats sales remain largely unaffected.
“I’m Still The Same Person That I Was”: Rikki Stern Says “Fucc It” To Cancer Stereotypes
B&T always happy to promote the anti-cancer cause. Even brands that massively overdo it with the hot pink.
The Unapproved Climate Certification Allegedly Causing Mass Greenwashing
Are you left flummoxed in the canned tuna & free range eggs aisle? Just wait till this green certification gets up.
TV Ratings (22/04/2024): Fans Mock “Over The Top” Reaction To New MasterChef Judges
MasterChef returns for its 2024 season. B&T stands by putting peppercorns in Gravox & no one will be any the wiser.
Dentsu Restructure: Muddle, Harvey & Johnston Take Leadership Baton As Bass & Yurisich Exit
A large broom has swept through Dentsu's local ops this morning, taking with it some big names & the air con's cobwebs.
Industry Shares Trends Shaping The Industry This International Creators Day
B&T's asking adland creators to reveal their top trends. And it's not good news for your Jenny Kee cardigan collection.
Mable Extends HOYTS Sensory Screenings Partnership
Mable has extended its HOYTS sensory screening partnership. Vigorously defends its two-star Oppenheimer review.
Orphan Launches ‘They Need Our Help. We Need Yours’ For Children’s Cancer Institute
Anything to do with childhood cancers has B&T's 110% support. That said, we do ignore the red meat & alcohol warnings.
Smile Team Orthodontics & Keep Left Collaborate On Smile-Inducing Campaign
As parents would attest, given the cost of orthodontics you'd expect this campaign to be a lavish production indeed.
Opinion: How Video Calls Neglect Learning Diversity
Need an excuse to duck out of a video call this arvo? Show this to your boss.
DoubleVerify Achieves First-Of-Its-Kind Responsible AI Certification From TrustArc
DoubleVerify receives responsible AI certification. However, not its robotic vacuum that's been seen menacing the cat.
Smile For A Good Cause: The Social Media Campaign Giving Back To The Community
Are you known as the office Austin Powers? More for you teeth than shagability? Get snappy new fangs with this news.
Elon Musk Mocks Albo After ESafety Wins Court Injunction Against X
Albo's 2024 from hell continues - Rabbitohs in crisis, down in the polls and now feuding with world's richest man.
Real Estate Developer In Hot Water Over “Sexually Exploitative” OOH Campaign
Real estate agents again tops in the 'least trusted profession' polls, nudging used car salesmen & ad creatives.
Epsilon’s Shane Hanby: Post-Cookie Era Relies On “Teamwork” Between Brands, Marketers & Tech
This pro predicts more "teamwork" in a post-cookie era. Which spells bad news for the uncooperative or plain stubborn.