Saatchi & Saatchi Melbourne Welcome New Client Service Director

Saatchi & Saatchi Melbourne Welcome New Client Service Director

Saatchi & Saatchi Melbourne has announced Rebecca Robertson as new client service director, joining the Melbourne leadership team of Mark Cochrane (managing director), Alex Speakman (managing partner / director of strategy) and Leon Wilson (group creative director).

Having started her career at DDB Melbourne, Robertson moved to London to work both on the agency and the client side under major brand names including Glenfiddich, O2, Tesco, Callaway, RBS & NatWest.

Robertson first joined the Saatchi & Saatchi family when she moved to New York, leading the General Mills Yoplait business for North America, and more recently the JP Morgan Chase Consumer Bank global account.

“We are so pleased to have Rebecca leading our growing client portfolio in Melbourne,” Cochrane said.

“We have gone from a start up to a full service collective of thirty-two in little over a year, and with her progressive experience, passion and leadership it is incredibly exciting to have Rebecca on board for our next chapter.”

Robertson said, “I feel as though I’m back home with Saatchi & Saatchi, and I’m so ready to help fuel the agency’s journey. We already have such a great fit as a team and it’s exciting to see what we can achieve together a group.”

 




Please login with linkedin to comment

rebecca robertson Saatchi & Saatchi Melbourne

Latest News

Nielsen Data Reveals Brands Spending Big To Attract Aussie Tourists
  • Advertising

Nielsen Data Reveals Brands Spending Big To Attract Aussie Tourists

Nielsen Ad Intel data has revealed that the travel and tourism industry spent more than $153 million on advertising in Australia in Q1, 2024 – an increase of 8 per cent from the previous quarter, with TripADeal the biggest spender, followed by Virgin Australia, then the Flight Centre-owned Ignite Travel. As many Australians return from […]

Cosmo Returns To Australia!
  • Media

Cosmo Returns To Australia!

Ever get the feeling we've weirdly warped back to 1988 at the moment? Confirm it with the relaunch of Cosmo in print.