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Reading: Uber Eats Taps Jason Alexander For Next ‘Get Almost, Almost Anything’ Campaign Iteration Via Special
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B&T > Campaigns > Uber Eats Taps Jason Alexander For Next ‘Get Almost, Almost Anything’ Campaign Iteration Via Special
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Uber Eats Taps Jason Alexander For Next ‘Get Almost, Almost Anything’ Campaign Iteration Via Special

Staff Writers
Published on: 30th September 2024 at 8:28 AM
Staff Writers
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Uber Eats has launched latest instalment of the ‘Get almost, almost anything’ campaign, featuring actor and comedian Jason Alexander, via Special.

This new instalment, titled “Canned Laughter,” humorously explores the chaos that can arise when the idea of having everything at our fingertips becomes a little problematic.

Following successful collaborations with Kris and Kendall Jenner, Tom Felton, and Nicola Coughlan, this fresh ‘Get almost, almost anything’ campaign is another self-deprecating admission that there are some things Uber Eats doesn’t deliver — demonstrated through the chaos that would ensue if some of our innermost desires were in fact available on the app.

Alexander’s comedic journey begins when the funny man can’t land a joke at a dinner party. Frustrated, he turns to Uber Eats to order ‘canned laughter’, and his problems seem solved…until it becomes clear that there are some situations where laughter is less than ideal, ultimately leading to unexpected—and hilarious—consequences.

The world of Alexander’s comedic desire continues in a series of social spots that further illustrate the array of items available on Uber Eats – from retail, grocery, alcohol, convenience and of course, restaurant cuisine.

“There’s always been a special part in my heart for comedy and the iconic tropes of television of yesteryear,” said Alexander, “Working with Uber Eats in a way that was a self-deprecating homage to these elements and why they perhaps don’t hold true today was genuinely great fun.”

Uber ANZ brand lead, Channa Goonasekara, added ”This campaign would not have worked with anyone else in the world. We were over the moon to be able to partner with Jason on this new iteration of our brand platform. His comedic calamity is instantly recognisable and his performance is brilliantly nostalgic as it builds throughout the hero brand film. He was the perfect custodian to build on the work of Kendall and Kris Jenner, Nicola Coughlan and Tom Felton to remind Aussies and Kiwis that you can get almost, almost anything on Uber Eats these days.”

“It’s been great working alongside Director Mark Molloy and Jason, to bring this sitcom trope to life, as well as bring back Jason’s very distinct brand of misery. It’s not only a fun brand statement, but feels like a reward for his fans,” said Special’s creative director, James Sexton.

“Jason Alexander’s life being ruined by canned laughter feels like a great continuation of Uber Eats’ now well known self-deprecating tone and open admissions that they don’t deliver everything, added fellow, Special creative director, Harry Neville-Towle, “It’s also more entertaining evidence you really really don’t want us to .”

The hero film premiered during the halftime show of the AFL Grand Final, complemented by a series of audio ads and social spots rolling out across various platforms.

The ‘Get almost, almost anything’ campaign platform has been exported globally to Taiwan, Spain, Mexico, the United States, Canada, Chile, Sri Lanka and Portugal.

Campaign Credits

Uber Eats

Senior Director of Marketing, International: Lucinda Barlow

Senior Director of Marketing, APAC: Andy Morley

Head of Marketing, ANZ: Nicole Bardsley

Brand Lead, ANZ: Channa Goonasekara

Brand Marketing Manager: Rebecca Macciolli

Brand Marketing Associate: Holly Dover

Global Executive Creative Director: Danielle Hawley

Creative Director, APAC: Adam Ledbury

Associate Creative Director: Yessy Downs

Director Communications, ANZ: Peta Fitzgerald

Head of Delivery Communications, ANZ: Nick Vindin

Media Lead, ANZ, Rob Maddison

Strategy Lead, APAC: Josh Pickstone

Sr. Marketing Manager, NZ: Olivia Sykes

Talent and Legal: Cameron Loughlin, Jessica Shao

 

Special

Partners/CEO: Lindsey Evans & Cade Heyde

Partners/CCO: Julian Schreiber & Tom Martin

Creative Directors: James Sexton & Harry Neville-Towle

Lead Creatives: Joe Ranallo & Will Winter-Irving

Creatives: Hannah McCowatt, Laura Grimshaw & Toby Kennedy

Managing Director: Lauren Portelli

Team Leads: Rachel McEwen, Laura Little

Business Director: Claire Emery

Business Manager: Oscar Kennedy

Head of Strategy: Celia Garforth

Strategy Director: JJ Bender

Head Of Film Production: Sevda Cemo

Executive Producer: Wendy Gillies, Paul Johnston

Integrated Producer: Will Sealey

Head Of Stills: Nick Lilley

Stills Producer: Danielle Senecky

Head Of Design: Adam Shear

Designer: Maggie Webster, Cameron Morris

Finished Artist: Jen Bailey

 

Exit Films / Smuggler Films

Director: Mark Molloy

Cinematographer: Robert Elswit

Executive Producer: Leah Churchill-Brown

Producer: Alexandra Taussig

Producer: Luigi Rossi

1st AD: Peter Kohn

Casting Director: Jodi Sonnenberg

 

Chee Productions

Executive Producer: Tamiko Wafer

Executive Producer: Matt Chee

Photographer: Christopher Tovo

Digital Operator: Jake Lowe

Retouching: Cream Studios

 

The Editors

Editors: Stewart Reeves

Managing Director: Nicoletta Rousianos

Executive Producer: Rita Gagliardi

Lead Flame Artist: Eugene Richards

Colourist: Fergus Rotherham

 

Rumble Studios

Lead Sound Designer: Tone Aston

Sound Designer: Daniel William

Sound Executive Producer: Michael Gie

BTS Press

Tony Gardiner ACS

 

Media Agency: EssenceMediacom

Retail Agency: Hatched

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TAGGED: Special, Uber Eats
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Staff Writers
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Staff Writers represent B&T's team of award-winning reporters. Here, you'll find articles crafted with industry experience spanning over 50 years. Our team of specialists brings together a wealth of knowledge and a commitment to delivering insightful, topical, and breaking news. With a deep understanding of advertising and media, our Staff Writers are dedicated to providing industry-leading analysis and reporting, both shaping the conversation and setting the benchmark for excellence.

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