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Reading: Sea-Eye Turns A Swimming Lesson Into A Reminder Of The Dangers Facing Young Refugees At Sea
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B&T > Campaigns > Sea-Eye Turns A Swimming Lesson Into A Reminder Of The Dangers Facing Young Refugees At Sea
Campaigns

Sea-Eye Turns A Swimming Lesson Into A Reminder Of The Dangers Facing Young Refugees At Sea

Staff Writers
Published on: 22nd November 2024 at 8:24 AM
Edited by Staff Writers
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For most children, learning to swim is a fun pastime and a rite of passage. But for young refugees attempting the treacherous crossing of the Mediterranean Sea, ‘swimming like a fish’ is a literal life skill to be put to the ultimate test in a desperate struggle to survive.

To highlight the dangers facing these children – and support its vital rescue missions – NGO Sea-Eye has launched Like a Fish, a powerful new film directed by Oliver Bernotat and produced by Simon & Paul.

Launching on UNICEF World Children’s Day, Like a Fish was inspired by a shocking statistic: since 2018, over 1,500 children have drowned or gone missing in the Mediterranean Sea while fleeing to Europe.

In the film, which opens on a typical beach scene complete with giggling children, parasols and families frolicking in the water, a father is seen encouraging his son to swim ‘like a fish’ in the gentle waves. But the moment of joy when he swims off independently soon turns dark – as the scene shifts for the child who is now alone in a vast ocean wearing a life vest – desperately trying to reach land while repeating his dad’s mantra: ‘like a fish’.

Simple yet devastatingly effective, the film shines a spotlight on an issue that has all but disappeared from the headlines – with the powerful reminder that no child should have to swim for their lives. Adding a further sense of authenticity, the film was shot in Tunisia with a Tunisian cast, one of the major jumping off points on the deadly Mediterranean migrant route.

Almost two years in the making, the film was created for Sea-Eye – an NGO dedicated to rescuing refugees in the Mediterranean, saving lives and offering hope – on an entirely pro-bono basis. As well as directing the film, Oliver Bernotat developed the creative concept alongside creative director Ibrahem Ghareib, while production was handled by Hamburg-based production and creative studio Simon & Paul, with music by Thomas Muis from 2WEI Music.

“Almost a decade after the world was moved to tears by photos of a drowned Syrian toddler, the topic of child refugees is no longer grabbing headlines – despite the fact that, since 2018, over 1,500 children have drowned or gone missing in the Mediterranean. That’s why, for UNICEF’s World Children Day, we wanted to put a human face to the statistics as well as spotlighting the vital rescue work of SeaEye. This was a two-year labour of love with a straightforward message at its heart: no child should have to swim for their life,” said Simon Fessler, executive producer and managing partner, Simon & Paul.

“This project was really close to our hearts and quite a challenge to pull off, but we’re really proud of the result and grateful for everyone who contributed to this important message. I wanted it to feel like a short film, a story that pulls you in without knowing where it’s going to take you,” said Oliver Bernotat, director.

CREDITS

Production Company: Simon & Paul

Director: Oliver Bernotat

Executive Producer: Simon Fessler, Tobias Paul

Producer: Tobias Stiegler

Script & Concept: Oliver Bernotat & Ibrahem Ghareib

Director of Photography: Jan David Gunther

Editor: Nik Kohler (Cabin Edit)

Colorgrading: Joseph Bicknell (Company 3)

Music: 2WEI Music

Composer: Thomas Muis

VFX: Replayboys

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Aimee Edwards
By Aimee Edwards
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Aimee Edwards is a journalist at B&T, reporting across media, advertising, and the broader cultural forces shaping both. Her reporting covers the worlds of sport, politics, and entertainment, with a particular focus on how marketing intersects with cultural influence and social impact. Aimee is also a self-published author with a passion for storytelling around mental health, DE&I, sport, and the environment. Prior to joining B&T, she worked as a media researcher, leading projects on media trends and gender representation—most notably a deep dive into the visibility of female voices in sports media. 

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