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Reading: Like No Other: David Jones Donates Its Stunning 186-Year-Old Fashion Archives To Powerhouse Museum
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B&T > Advertising > Like No Other: David Jones Donates Its Stunning 186-Year-Old Fashion Archives To Powerhouse Museum
Advertising

Like No Other: David Jones Donates Its Stunning 186-Year-Old Fashion Archives To Powerhouse Museum

Staff Writers
Published on: 30th July 2024 at 11:27 AM
Edited by Staff Writers
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6 Min Read
A6090 Bowl, 'Three days in the rainman's land', glass, designed by Ann Warff / Goran Warff, made by Kosta Glasbruk (Kosta Boda), Kosta, Sweden, 1971
89/735-10/3 Invitation to '7 designers' exhibition, paper, designed by Gordon Andrews, Sydney, New South Wales, Australia, 1948
89/735-18/14 Label for pressure cooker set, paper, designed by Gordon Andrews for David Jones Ltd, Sydney, 1945-1955
89/735-18/31 David Jones' Buyer's Manual, paper, [designed by Gordona Andrews] for David Jones, Sydney, 1945-1955
89/735-18/37 Menu, 'Davy Jones' Locker', morning and afternoon tea menu, paper, designed by Gordon Andrews for David Jones, Sydney, 1940-1960
89/735-18/6 Invitation to the opening by M. J.J. Ortoli, Vice- Consul of France of an exhibition of Ascher Panels, David Jones' Art Gallery, Thursday 16th June until 30th June, paper, designed by Gordon Andrews, Sydney
A7194-2 Hat, felt, maker unknown, for David Jones, Australia, c. 1962
2008/165/7 Hat with hat box, mens, felt / leather / satin / card, hat made by Failsworth Hats, Manchester, England, box by David Jones, Sydney, New South Wales, Australia, 1915-1925
92/369 Hat, womens, cotton, Christian Dior, Paris, France, 1950-1960, worn by Winifred Hurt, Australia
97/270/1 Mules (pair), womens, perspex / swansdown feathers, by Gaston Honey Industries, United States of America, for David Jones Ltd, Sydney, New South Wales, Australia, 1950-1959
88/840 Shoes (pair), womens, leather / satin / glass / plastic / rubber, designed and made by Salvatore Ferragamo, Florence, Italy, for David Jones, Sydney, New South Wales, Australia, owned by Margaret Reid, c. 1959
88/850-5/1 Glove (1 of pair), womens, gauntlet style, leather, made by Christian Dior, France for David Jones, Sydney, New South Wales, Australia, c. 1955
89/735-10/4 Exhibition catalogue, '6 photographers', paper, designed by Gordon Andrews, Sydney, New South Wales, Australia, 1955
A10189 Place setting, comprising 9 pieces, sterling silver / stainless steel, made by James Dixon & Sons Ltd and William Hutton & Sons Ltd, Sheffield, England, early 1950s, used by Queen Elizabeth II at State banquet, held at David Jones, Sydney, New South Wales, Australia, 1954
95/317/1 Photographic print, black and white, 'Max Dupain photographing model on Cronulla Sandhills', paper, Olive Cotton, Cronulla, New South Wales, Australia, taken 1937, printed 1992
96/387/1 Evening shoes (pair), womens, satin / leather / metal, designed and made by Palter De Liso, New York, United States of America, for David Jones Limited, Sydney, New South Wales, Australia, 1925-1935
2011/59/1 Camera, 'Linhof Technika', and accessories, metal / plastic / paper / glass, various makers, c. 1959, camera body used by Max Dupain, Sydney, New South Wales, 1959-1980s
2020/66/1-1 Fashion sketch, part of fashion designs by Norman Hartnell with folder
REC14203/1-52 Poster, 'David Jones Celebrating One Year at Parramatta'. paper, made for David Jones, Australia
REC14203/1-35 Poster, 'Red compliments Pink David Jones', paper, made for David Jones, Australia
REC14203/1-34 Poster, 'black and white wear it here there and everywhere David Jones', paper, made for David Jones, Australia, possibly 1952
REC14203/1-24 Photograph, black and white print, Cissie Lowry with hats on display, paper, photographer
REC14203/1-73 Retail packaging, cardboard, maker and place of production unknown, made for David Jones, Australia, addressed to Mrs B Horton Elizabeth street store care of Advertising 8th Floor, Sydney, New South Wales, Australia
REC14203/1-70 Dress, viscose / linen / nylon blend, designed and made by Rachel Gilbert , worn by Megan Gale
REC14203/1-76 Outfit, comprising jacket and dress, designed and made by Carla Zampatti,
REC14203/1-31 Poster, 'sunshine clothes David Jones', paper, made for David Jones, Australia, possibly 1959
REC14203/1-33 Poster, 'David Jones' Spring Fashion Story', paper, made for David Jones, Australia
REC14203/1-53 Millinery measuring tool, wood / metal, maker unknown, place of production unknown, owned by Cissie Lowry, Sydney, New South Wales, Australia
REC14203/1-81 Book, commemorating the visit of Her Majesty The Queen, paper / cardboard / possibly textile,Australia, 1954
REC14203/1-70 Dress, viscose / linen / nylon blend, designed and made by Rachel Gilbert , worn by Megan Gale
REC14203/1-74 Dress, strapless, designed and made by Carla Zampatti
REC14203/1-72 Shoes (pair) and box, womens, designed and made by Manolo Blahnik, worn by Megan Gale
REC14203/1-72 Shoes (pair) and box, womens, designed and made by Manolo Blahnik, worn by Megan Gale
REC14203/1-41 Magazine, 'Paris Fashions for All', paper, maker and place of production
REC14203/1-41 Magazine, 'Paris Fashions for All', paper, maker and place of production
REC14203/1-75 Menu, State Dinner for Her Majesty The Queen and His Royal Highness The Duke of Edinburgh, paper / textile, maker unknown, made for David Jones, Sydney, New South Wales, Australia, 1954
REC14203/1-59 Book, 'How To Make a Hat', paper / cardboard, publisher unknown, owned by Cissie Lowry, Sydney, New South Wales, Australia
REC14203/1-65 Scrap book, 'Sweden at David Jones', paper / cardboard / textile, maker and place unknown, 1954
REC14203/1-77 Marquette, for fashion excellence award, mixed media, Clifford Last, Australia, 1975
REC14203/1-44 Poster, 'New Shapes Colours That's Autumn at D.J's', paper, made for David Jones, Australia
REC14203/1-62 Poster, 'this is the Spring of Colourmania David Jones', paper, made for David Jones, Australia
REC14203/1-75 Menu, State Dinner for Her Majesty The Queen and His Royal Highness The Duke of Edinburgh, paper / textile, maker unknown, made for David Jones, Sydney, New South Wales, Australia, 1954
List of Images 1/43
0032152_0002_m
A6090 Bowl, 'Three days in the rainman's land', glass, designed by Ann Warff / Goran Warff, made by Kosta Glasbruk (Kosta Boda), Kosta, Sweden, 1971
211200_0103713_0001_m
89/735-10/3 Invitation to '7 designers' exhibition, paper, designed by Gordon Andrews, Sydney, New South Wales, Australia, 1948
211200_0238294_0001_m
89/735-18/14 Label for pressure cooker set, paper, designed by Gordon Andrews for David Jones Ltd, Sydney, 1945-1955
221091_0238322_0001_m
89/735-18/31 David Jones' Buyer's Manual, paper, [designed by Gordona Andrews] for David Jones, Sydney, 1945-1955
221091_0238328_0001_m
89/735-18/37 Menu, 'Davy Jones' Locker', morning and afternoon tea menu, paper, designed by Gordon Andrews for David Jones, Sydney, 1940-1960
221091_0238336_0001_m
89/735-18/6 Invitation to the opening by M. J.J. Ortoli, Vice- Consul of France of an exhibition of Ascher Panels, David Jones' Art Gallery, Thursday 16th June until 30th June, paper, designed by Gordon Andrews, Sydney
A7194-2 Hat, felt, maker unknown, for David Jones, Australia, c. 1962
A7194-2 Hat, felt, maker unknown, for David Jones, Australia, c. 1962
223300_0429708_0001_m
2008/165/7 Hat with hat box, mens, felt / leather / satin / card, hat made by Failsworth Hats, Manchester, England, box by David Jones, Sydney, New South Wales, Australia, 1915-1925
224024_0260292_0001_m
92/369 Hat, womens, cotton, Christian Dior, Paris, France, 1950-1960, worn by Winifred Hurt, Australia
224288_0283302_0001_m
97/270/1 Mules (pair), womens, perspex / swansdown feathers, by Gaston Honey Industries, United States of America, for David Jones Ltd, Sydney, New South Wales, Australia, 1950-1959
0229925_0001_m
88/840 Shoes (pair), womens, leather / satin / glass / plastic / rubber, designed and made by Salvatore Ferragamo, Florence, Italy, for David Jones, Sydney, New South Wales, Australia, owned by Margaret Reid, c. 1959
0229990_0002_m
88/850-5/1 Glove (1 of pair), womens, gauntlet style, leather, made by Christian Dior, France for David Jones, Sydney, New South Wales, Australia, c. 1955
240542_0103714_0001_m
89/735-10/4 Exhibition catalogue, '6 photographers', paper, designed by Gordon Andrews, Sydney, New South Wales, Australia, 1955
240557_0291623_0001_m
A10189 Place setting, comprising 9 pieces, sterling silver / stainless steel, made by James Dixon & Sons Ltd and William Hutton & Sons Ltd, Sheffield, England, early 1950s, used by Queen Elizabeth II at State banquet, held at David Jones, Sydney, New South Wales, Australia, 1954
0275475_0001_m
95/317/1 Photographic print, black and white, 'Max Dupain photographing model on Cronulla Sandhills', paper, Olive Cotton, Cronulla, New South Wales, Australia, taken 1937, printed 1992
0279985_0001_m
96/387/1 Evening shoes (pair), womens, satin / leather / metal, designed and made by Palter De Liso, New York, United States of America, for David Jones Limited, Sydney, New South Wales, Australia, 1925-1935
0455841_0001_m
2011/59/1 Camera, 'Linhof Technika', and accessories, metal / plastic / paper / glass, various makers, c. 1959, camera body used by Max Dupain, Sydney, New South Wales, 1959-1980s
0595267_0001_m
2020/66/1-1 Fashion sketch, part of fashion designs by Norman Hartnell with folder
plwl20240621-007
David Jones-1
REC14203/1-52 Poster, 'David Jones Celebrating One Year at Parramatta'. paper, made for David Jones, Australia
David Jones-2
REC14203/1-35 Poster, 'Red compliments Pink David Jones', paper, made for David Jones, Australia
David Jones-3
REC14203/1-34 Poster, 'black and white wear it here there and everywhere David Jones', paper, made for David Jones, Australia, possibly 1952
David Jones-4
REC14203/1-24 Photograph, black and white print, Cissie Lowry with hats on display, paper, photographer
David Jones-5
REC14203/1-73 Retail packaging, cardboard, maker and place of production unknown, made for David Jones, Australia, addressed to Mrs B Horton Elizabeth street store care of Advertising 8th Floor, Sydney, New South Wales, Australia
David Jones-6
REC14203/1-70 Dress, viscose / linen / nylon blend, designed and made by Rachel Gilbert , worn by Megan Gale
David Jones-7
REC14203/1-76 Outfit, comprising jacket and dress, designed and made by Carla Zampatti,
David Jones-08
REC14203/1-31 Poster, 'sunshine clothes David Jones', paper, made for David Jones, Australia, possibly 1959
David Jones-09
REC14203/1-33 Poster, 'David Jones' Spring Fashion Story', paper, made for David Jones, Australia
David Jones-10
REC14203/1-53 Millinery measuring tool, wood / metal, maker unknown, place of production unknown, owned by Cissie Lowry, Sydney, New South Wales, Australia
David Jones-12
REC14203/1-81 Book, commemorating the visit of Her Majesty The Queen, paper / cardboard / possibly textile,Australia, 1954
David Jones-15
REC14203/1-70 Dress, viscose / linen / nylon blend, designed and made by Rachel Gilbert , worn by Megan Gale
David Jones-16
REC14203/1-74 Dress, strapless, designed and made by Carla Zampatti
David Jones-18
REC14203/1-72 Shoes (pair) and box, womens, designed and made by Manolo Blahnik, worn by Megan Gale
David Jones-19
REC14203/1-72 Shoes (pair) and box, womens, designed and made by Manolo Blahnik, worn by Megan Gale
David Jones-20
REC14203/1-41 Magazine, 'Paris Fashions for All', paper, maker and place of production
David Jones-21
REC14203/1-41 Magazine, 'Paris Fashions for All', paper, maker and place of production
David Jones-22
REC14203/1-75 Menu, State Dinner for Her Majesty The Queen and His Royal Highness The Duke of Edinburgh, paper / textile, maker unknown, made for David Jones, Sydney, New South Wales, Australia, 1954
David Jones-23
REC14203/1-59 Book, 'How To Make a Hat', paper / cardboard, publisher unknown, owned by Cissie Lowry, Sydney, New South Wales, Australia
David Jones-24
REC14203/1-65 Scrap book, 'Sweden at David Jones', paper / cardboard / textile, maker and place unknown, 1954
David Jones-26
REC14203/1-77 Marquette, for fashion excellence award, mixed media, Clifford Last, Australia, 1975
David Jones-27
REC14203/1-44 Poster, 'New Shapes Colours That's Autumn at D.J's', paper, made for David Jones, Australia
David Jones-28
REC14203/1-62 Poster, 'this is the Spring of Colourmania David Jones', paper, made for David Jones, Australia
David Jones-31
REC14203/1-75 Menu, State Dinner for Her Majesty The Queen and His Royal Highness The Duke of Edinburgh, paper / textile, maker unknown, made for David Jones, Sydney, New South Wales, Australia, 1954
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David Jones and Powerhouse announced the donation of the David Jones archive to the Powerhouse – preserving and amplifying the retailer’s 186-year-old history and marking the beginning of a partnership with the 143-year-old museum.

The partnership will also see David Jones and the Powerhouse invest into the next generation of Australian designers by establishing the David Jones and Powerhouse Australian Design Commission. The annual commission will invest $300,000 into Australian designers over three years to create new work that engages with the David Jones Archive.

NSW Arts Minister John Graham made the announcement during an exclusive event held at The Gallery on Level 8 of David Jones’ Elizabeth Street Flagship for 120 guests including Powerhouse Trustees and David Jones executives, partners, ambassadors and team members both past and present.

Powerhouse curators transformed The Gallery into an exhibition titled ‘Like No Other – Celebrating an Australian Icon,’ providing guests a preview of select pieces from the nationally significant archive and objects from the Powerhouse Collection. The archive, which features a vast collection of preserved artefacts and documents dating back to the early 1800s, were uncovered by the David Jones team in its Silverwater Distribution Centre in Sydney; revealing several pieces that showcase the retailer’s remarkable history and enduring impact on Australian identity, thought and opinion.

“David Jones shares a foundation of innovation and progress with the Powerhouse and a commitment to preserving and celebrating the stories that have helped shape our communities’ cultural fabric,” said David Jones CEO Scott Fyfe.

“As we explored our archives, we became immersed in the inspiring stories that have shaped David Jones as an iconic Australian institution; each artefact and document telling a tale of heritage, innovation, and our commitment to excellence”.

“Our partnership with the Powerhouse and the donation of our remarkable archive is significant and represents our commitment to the preservation of retail history and the wider cultural landscape. Already boasting historical fashion, decorative arts, and the design archives of esteemed mid-century designers, we believe the Powerhouse is the ideal custodian for the David Jones archive to be preserved and forever celebrated”.

The David Jones archive of more than 3,000 objects is rich in incredible Australian and international design and fashion material, from packaging and retail design to programs from Christian Dior shows that were presented at David Jones in the 1940s and the official program and menu for the State Dinner for Her Majesty the Queen and His Royal Highness the Duke of Edinburgh hosted by David Jones in 1954.

The exhibition in The Gallery also documents and celebrates the innovation and talent of David Jones staff over many decades, including Carrie ‘Cissie’ Lowry, a David Jones employee for 56 years, almost 40 of which she spent as a buyer of international fashion, eventually specialising in millinery. It also features significant figures in Australian arts and design, from photographers Max Dupain and Olive Cotton to graphic designer Gordon Andrews, fashion designer Rachel Gilbert and the legendary Australian icon Carla Zampatti.

“David Jones and the Powerhouse Museum are both iconic Australian institutions that are deeply embedded into our collective memories,” said Powerhouse chief executive Lisa Havilah.

“As Australia’s leading museum of applied arts and applied sciences, the Powerhouse is custodian to Australia’s most important collections of applied arts, and the David Jones archive will extend the significance of our collections for our audiences and communities”.

“When we discovered that David Jones was looking for a home for their extensive archive, we proposed the Powerhouse and began a discussion and plan for how the Powerhouse will commit to preserving, sharing and amplifying the David Jones story”.

“Through the David Jones Powerhouse Australian Design Commission, we will continue encouraging local creative practice and promulgating design excellence in Australia. This new award demonstrates our shared commitment to not only keeping Australian design history alive but also connecting it for future generations”.

“It’s impossible to imagine Sydney without the Powerhouse Museum or David Jones – institutions with a combined 328 years of history in this city,” said NSW Arts Minister John Graham. “It is an honour for the Powerhouse to be entrusted with such a rich archive dating back to the early 1800s that features the work of graphic designer Gordon Andrews and fashion designers Rachel Gilbert and Carla Zampatti”.

“The Powerhouse Museum’s guiding legislation of 1945 states it will work towards the ‘promotion of craftsmanship and artistic taste by illustrating the history and development of the applied arts.’ Today’s collaboration with David Jones perfectly fits that objective”.

David Jones customers and the general public will be given the opportunity to view these historic pieces at the Elizabeth Street Flagship from today until 25 August in The Gallery on Level 8.

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Aimee Edwards
By Aimee Edwards
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Aimee Edwards is a journalist at B&T, reporting across media, advertising, and the broader cultural forces shaping both. Her reporting covers the worlds of sport, politics, and entertainment, with a particular focus on how marketing intersects with cultural influence and social impact. Aimee is also a self-published author with a passion for storytelling around mental health, DE&I, sport, and the environment. Prior to joining B&T, she worked as a media researcher, leading projects on media trends and gender representation—most notably a deep dive into the visibility of female voices in sports media. 

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