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Reading: Robert Irwin Strips Down For Bonds Launch Into The US Via Special
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B&T > Campaigns > Robert Irwin Strips Down For Bonds Launch Into The US Via Special
Campaigns

Robert Irwin Strips Down For Bonds Launch Into The US Via Special

Staff Writers
Published on: 4th April 2025 at 9:16 AM
Edited by Staff Writers
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4 Min Read
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The legendary Australian brand Bonds has launched in the states with a campaign that lets Americans in on how Aussies stay so relaxed in the face of deadly wildlife, thanks to Special.

Fronted by Australian legend Robert Irwin and music icon Tkay Maidza, Bonds are bringing “Made for Down Under” comfort to the U.S, giving Americans the chance to be as laid back as Australians are.

“Bonds have been keeping Aussies comfy for over 100 years, so launching in the U.S. is an exciting new chapter for our brand. We’re thrilled to introduce our iconic underwear and signature Aussie spirit to Americans – and help them level up their top drawer with down under comfort. Made for Down Under features Aussie legends Robert Irwin and Tkay Maidza – backed by an epic cast of snakes, spiders, lizards and crocodiles,” said Kedda Ghazarian, head of marketing, Bonds.

The films were directed by Exit’s Stefan Hunt, with stills captured by Sam I Am’s Lula Cuchhiara. Everything was captured in-camera – snakes, spiders, Australia’s crankiest croc ‘Elvis’ and Robert Irwin’s chiseled physique (no CGI necessary). The fearless Australian talent effortlessly model their favourite Bonds undies while posing in the midst of danger. Bonds has their backs – and bums – covered.

Ryan Fitzgerald, ECD of Special Australia added: “Two things are widely known about Australia in the US: the laidback nature of our people and our unusually high concentration of dangerous animals. Less commonly known is how the former stays true in the presence of the latter. The secret? Our very comfy undies. We’re excited to share this gift with our American friends.”

The Made for Down Under national campaign will roll out across OOH, digital, social, SiriusXM podcast network, connected TV and Amazon, beginning 3 April and running through the rest of the year.

CREDITS

Client: Bonds
Head of Marketing: Kedda Ghazarian
Senior Brand Manager: Edwina Moller

Agency: Special

SPECIAL AUSTRALIA
CEO & Partner: Lindsey Evans
CCO & Partner: Tom Martin & Julian Schreiber
CSO & Partner Melbourne : Rebecca Stambanis
Managing Director Melbourne : Sasha Firth
Business Director: Marnie Dunn
Head of Strategy, Melbourne: Nathan Rogers
ECD Melbourne: Ryan Fitzgerald
Creative Directors: Joe Ranallo, Will Winter-Irving
Social Creative: Eliza Smith, Heidi Rabbitts
Design Director: Sabine Schwarz
Design: Sarah Ristevski
Head of Film + Content Melbourne: Sophie Simmons
Senior Producer: Glen Mcleod

SPECIAL US
CEO & Partner: Kelsey Hodgkin
Group Strategy Director: Janet Shih

Film Prod Co: EXIT
Managing Partner: Wilf Sweetland
Executive Producer: Leah Churchill Brown
Director: Stefan Hunt
Producer: Luke Kneller
D.o.P: Max Walter
Editor: Lucas Vazquez
Grade: Fergus Rotherham
VFX/Online: Alt.VFX
Sound/Music: Sonar Music
Head of Production: Haylee Poppi
Sound Engineer: Andy Stewart
Composer: Josh Pearson

Stills Prod Co: Sam I Am
Stills Photographer: Lula Cucchiara
Stills Executive Producer: Rich Cole
Stills Senior Producer: Henry Richardson
Social & TikTok Videographer & Post Production: Luke Tysoe

Media Agency: Hearts & Science, Flywheel

Talent & PR/Media Relations – ARC Factory / Rose Pengelly 

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TAGGED: Bonds, robert irwin, Special
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Aimee Edwards
By Aimee Edwards
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Aimee Edwards is a journalist at B&T, reporting across media, advertising, and the broader cultural forces shaping both. Her reporting covers the worlds of sport, politics, and entertainment, with a particular focus on how marketing intersects with cultural influence and social impact. Aimee is also a self-published author with a passion for storytelling around mental health, DE&I, sport, and the environment. Prior to joining B&T, she worked as a media researcher, leading projects on media trends and gender representation—most notably a deep dive into the visibility of female voices in sports media. 

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