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B&T > Campaigns > The Work > Unilever Puts 50,000 Influencers To Work In Major World Cup Campaign
CampaignsNewsletterThe Work

Unilever Puts 50,000 Influencers To Work In Major World Cup Campaign

Melania Watson
Published on: 25th June 2026 at 11:17 AM
Melania Watson
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3 Min Read
Screenshots of the social media content across Instagram and TikTok.
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Unilever has launched its largest-ever creator-led marketing campaign for the FIFA World Cup 2026, involving a whopping 50,000 influencers from 120 markets.

The global initiative has the creators generating cross-market, cross-channel content to promote Unilever brands including Rexona (known as Degree in the US), Dove, Dove Men+Care and Axe.

To kick off the operation, Unilever has launched physical ‘House of Fresh’ creator hubs in host cities including Mexico City, Miami, and select World Cup destinations for immediate content creation.

House Of Fresh.

Rexona was the focal brand for the first three days of the house, 13-16 June, with Dove Men+Care on 18 June, and Dove most recently on 21 June.

On the first day of the World Cup, the tournament had generated over 58 billion views on YouTube alone, with brand videos accounting for 7.5 per cent of those views, according to data from social video intelligence platform Tubular Labs.

Axe Mexico had 241 million views by then, while Rexona had 172 million, per Tubular Labs.

According to Unilever, the marketing campaign has been designed to generate content that reaches fans far beyond the stadiums.

 

View this post on Instagram

 

A post shared by Tshepang Mollison (@twiggymoli)


Influencers involved in the marketing campaign include creators in the lifestyle, fashion and beauty space along with fans, players and ‘sports-casters’.

 

View this post on Instagram

 

A post shared by Mayowa ‘Obiagu’ Quadri (@mayowaquadri_)

In a blog post, Afke van de Klashorst, Unilever’s, vice president of integrated brand experience, said the activation “reflects how we’re engaging with sport not just as sponsorship, but as a platform to build brand desire and cultural relevance to drive superior growth”.

“Our ambition is for our brands to show up in spaces where fandom lives and in ways that are authentic, native to social, and meaningful by bringing freshness and confidence to match-day moments that matter most for fans, players and spectators,” he said.

 

View this post on Instagram

 

A post shared by Gunpreet Singh (@gunpreetz)


Meanwhile, FIFA’s chief business officer Romy Gai highlighted the tournament is designed to be “experienced, shaped and shared by fans wherever they are”.

“Football today lives in real time, in culture and on social platforms,” he said.

@zrollin_

Come with me to the House of Fresh Event with FIFA World Cup Sponsors – Rexona and Dove @RexonaID @fivetwonine.global @Dove Beauty & Personal Care @Unilever Store @Degree Deodorant #houseoffresh #itwonteverletyoudown #fifa #worldcup #futbol

♬ Dai Dai – Shakira & Burna Boy

To complement House of Fresh’s physical activations, The Locker Room is a 24/7 social media hub where creators, community experts and football strategists can deliver reactive content across platforms like TikTok and YouTube in real time, at the speed of culture.

“Working with partners like Unilever helps turn moments on the pitch into meaningful conversations off it, reaching new generations and making the power of football more accessible, inclusive and impactful than ever before,” Gai added.

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Related posts:

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  3. AFL Centres New Campaign On The Sporting Moments That Stick With Kids Via Reconnected
  4. Victorian Gambling Commission Urges Young Men To Control Gambling Spend In Campaign Via The Royals

TAGGED: Axe, Degree, Dove, Dove Men+Care, FIFA World Cup 2026, Rexona, Unilever
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Melania Watson
By Melania Watson
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Melania is B&T’s senior reporter, covering all things martech and adtech across the industry. When she’s not chasing breaking news, she’s chatting with industry leaders to discuss the big changes in the marketing, advertising, and media landscape. She kicked off her journalism career in 2022 at TV3 in New Zealand as a digital reporter and producer, later moving into a technology reporter role that brought her to Sydney. Driven by a desire to push herself into a new niche, she joined B&T at the start of 2026.

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