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Reading: Saatchi & Saatchi NZ Creates The ‘Algorithm FCKER’
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B&T > Campaigns > The Work > Saatchi & Saatchi NZ Creates The ‘Algorithm FCKER’
CampaignsNewsletterThe Work

Saatchi & Saatchi NZ Creates The ‘Algorithm FCKER’

Staff Writers
Published on: 3rd July 2026 at 10:13 AM
Edited by Staff Writers
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Saatchi & Saatchi has unveiled a provocative new campaign for the 2026 Oscar-qualifying Doc Edge Festival, challenging how algorithms filter and shape the stories we see.

Titled ‘F#&K the Algorithm’, the campaign champions this year’s line-up of international documentaries that cut through algorithmic feeds with raw, topical and unfiltered stories.

At its heart is The Algo-rithm F#&ker, a tool developed by Saatchi & Saatchi NZ and Publicis Production ANZ that invites people to swap screen time for screen time. By sharing their weekly screen time, audiences unlock festival discounts based on the hours they’ve lost to scrolling, turning algorithm time into documentary time.

Dan Shanan, co-founder and executive director at Doc Edge Festival, said: “Doc Edge has spent the last 21 years telling bold, inspiring and impactful stories, and amplifying voices that matter. This year’s campaign with Saatchi & Saatchi really builds on that legacy by challenging the algorithms that increasingly decide which stories we see.

“With sold-out sessions and our strongest opening weekend yet, it’s clear audiences are responding and actively seeking out the stories that cut through their algorithms.”

Lee Sunter, Executive Creative Director at Saatchi & Saatchi NZ, said: “’F#&K the Algorithm’” doesn’t just call out the problem, it gives people a way to fight back.

The Algo-rithm F#&ker transforms passive consumption into active participation, making the campaign something people do, not just see.

“This campaign wouldn’t exist without Alex and Dan at Doc Edge, whose belief in a festival that agitates and challenges perceptions made it possible. And our friends at Publicis Production, who crafted every detail, right down to every perfectly placed swear word.”

The campaign spans digital, social, radio, outdoor and cinema, pairing pixelated scenes from festival documentaries with the coded ‘algospeak’ people have adopted to avoid online censorship.

Running from 24 June to 10 August, the 2026 Doc Edge Festival features 75 films, 40 visiting filmmakers and a programme exploring some of the world’s most pressing issues; from the realities of the Gaza conflict and the truth about sex work to the impact of AI on young lives.

World Press Photo will also return as part of the festival, offering an immersive exhibition in partnership with Doc Edge.

Together, the programme invites audiences to step beyond the algorithm and experience stories designed to inform, challenge and change perspectives.

Credits

Client: Doc Edge

Co-Founder and Director: Alex Lee

Co-Founder and Director: Dan Shanan

In-House Designer: Jarrod Dobell

Impact and Operations Lead: Christian Jensen

Web & Digital Marketing Lead: John Lau

 

Creative Agency: Saatchi & Saatchi NZ

Acting Chief Executive Officer: Toby Aldred

Chief Creative Officer: Steve Cochran

Group Executive Creative Director: Lee Sunter

Head of Growth and Operations: Sarah Ansley Jones

Senior Business Director: Camille Coltman

Senior Creatives: Connyr Atiga and Cain Duff

Creative: Milla Mihaljevich

Design Director: Shiv Narandas

Digital Design: Matt Wood

Designer: Talia Schofield

Business Managers: Jeannie Grace and Sabrina Juan

Strategy Director: Terri O’Connell

Strategy Executive: Kiera Bossons Sartain

 

Production: Saatchi Studios

Executive Producer: Jane Mill

Producer: Jess Drysdale

Junior Producer: Grace Roddick

Editor: Tracy Powell

Sound: Franklin Road

 

Publicis Production ANZ

Neil Duncan, Managing Director

Kiki Lauder, Creative Technology Director

Nicole Marshall, Executive Producer

Nara Lea, Producer

Keong Seet, Developer

 

PR: Herd MSL

General Manager Breakout Room: Kat Day

Account Director: Sinelle Fernandez

Account Manager: Rosemarie Grima

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TAGGED: Doc Edge Festival, Publicis production, Saatchi & Saatchi
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Arvind Hickman
By Arvind Hickman
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Arvind writes about anything to do with media, advertising and stuff. He is the former media editor of Campaign in London and has worked across several trade titles closer to home. Earlier in his career, Arvind covered business, crime, politics and sport. When he isn’t grilling media types, Arvind is a keen photographer, cook, traveller, podcast tragic and sports fanatic (in particular Liverpool FC). During his heyday as an athlete, Arvind captained the Epping Heights PS Tunnel Ball team and was widely feared on the star jumping circuit.

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