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Reading: R/GA Rebrands One Day As Music Industry ‘Increasingly Run By Predictability’
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B&T > Brands > R/GA Rebrands One Day As Music Industry ‘Increasingly Run By Predictability’
BrandsNewsletter

R/GA Rebrands One Day As Music Industry ‘Increasingly Run By Predictability’

Staff Writers
Published on: 26th May 2026 at 10:24 AM
Edited by Staff Writers
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Creative innovation company R/GA has launched a new identity for Australian record label One Day, in what has become an increasingly data-driven and homogenised music landscape.

The rebrand, developed alongside motion studio Never Sit Still, arrives at a moment when record labels and entertainment brands are grappling with how to stand out in an industry increasingly shaped by algorithms, predictability and platform economics.

Rather than lean into polished perfection, the new One Day identity embraces rawness, imperfection and emotional intensity – qualities R/GA argues are becoming increasingly valuable cultural currency.

Backed by EMI and Universal Music Australia, One Day has evolved from an artist collective and events brand into a talent management and artist development company.

The business formally launched One Day Recordings in 2024 under founders Nick Lupi and Adit Gauchan, with a roster including ARIA-winning producer 18YOMAN, APRA Award-winning J Emz from ONEFOUR, Chillinit and LEN20.

RGA x OneDay

The new identity centres around the idea that every artist has their own “One Day” moment – the breakthrough they are chasing. R/GA translated that idea into a dynamic visual system inspired by the experience of standing on stage before a packed crowd, with motion graphics mimicking flashing lights, moving fans and the glow of phones held aloft during live performances.

“There is a natural tension today between the science of breaking an artist and the raw emotion of their music,” said Ben Miles, chief design officer APAC at R/GA. “In a world increasingly run by predictability, this brand is a reminder that realness can’t be automated.”

The agency delivered a full-scale overhaul spanning logo design, art direction, motion systems, a new website and a narrative film titled Day One to One Day.

Importantly, the digital platform was intentionally designed to remain lightweight and flexible, allowing the label to move quickly without sacrificing visual impact – a growing priority for entertainment brands trying to stay culturally responsive in real time.

RGA x OneDay

Jane Duru, creative director at R/GA, said the work aimed to build a brand capable of emotionally amplifying artists as much as commercially supporting them.

“One Day is a force for voices that want to be felt as much as they’re heard,” she said. “The brand we’ve built honours and creates space for artists’ dreams, in all their glory.”

The project also reflects a broader shift in branding across music, entertainment and youth culture, where identity systems are becoming increasingly dynamic, motion-led and emotionally expressive rather than static corporate assets.

As streaming platforms flatten discovery and social media accelerates trend cycles, brands are being pushed to create deeper emotional resonance and stronger cultural positioning to cut through.

RGA x OneDay

Henry Cook, creative director at R/GA, said the strategy was grounded in the harsh realities facing emerging Australian artists today.

“The path to success in Australia has never been more difficult,” he said. “Our idea was simple: every artist has a ‘One Day’. We turned that into a verbal system where they name their dream out loud.”

One Day co-founder Nick Lupi said the rebrand finally gave the company a visual and verbal identity that matched its ambitions for Australian talent.

“This is what we’ve always been about – identifying talent, helping artists develop their voice and amplifying their stories,” he said.

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TAGGED: 18YOMAN, One Day, r/ga
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Melania Watson
By Melania Watson
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Melania is B&T’s senior reporter, covering all things martech and adtech across the industry. When she’s not chasing breaking news, she’s chatting with industry leaders to discuss the big changes in the marketing, advertising, and media landscape. She kicked off her journalism career in 2022 at TV3 in New Zealand as a digital reporter and producer, later moving into a technology reporter role that brought her to Sydney. Driven by a desire to push herself into a new niche, she joined B&T at the start of 2026.

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