If 2025 were a Radiohead album for the team at Spark Foundry, it might just be Hail to the Thief, a middle of the road effort that flagged the team’s changing of style from guitar-focused rock to more of the atmospheric electronic style they became known for.
The agency has a fresh new tagline and market positioning, ‘Intelligence Disobedience’, that it describes as a set of behaviours grounded in insight-led approach that challenged norms and conventions.
Going against the grain might sound risky in a challenged market, but for Spark it led to another consistent year of solid, if not spectacular, growth.
The agency won four clients, including the relatively large Paramount business, while also retaining Kenvue (formerly Johnson & Johnson).
The agency didn’t lose any accounts in the process and maintains an average client NPS score of 8+, which it claims to have done for the past six years.
A highlight for the agency is the success it has enjoyed at the Effies, picking up six awards for work for the Cancer Council, Toyota and Arnott’s.
A Toyota dealer network campaign that used road signs to reassure drivers was a standout, as too was helping striking a partnership with Arnott’s ‘Bikkie Belt’ and Nine’s The Block. Spark Foundry wrecked in tandem with stablemate Saatchi & Saatchi on both campaigns.
Spark Foundry said that it achieved “high double-digit employee retention”, although would not provide actual figures, and that it ranks highly on retention and staff happiness on Media-i survey results.
It has worked in partnership with B&T for its Hot Takes series, which provides interesting interviews and insights out of the ordinary, while the agency raised $11,000 for cancer research via the Shitbox Rally.
The B&T Agency Scorecards Advisory Panel acknowledged another stable year for the agency, but some would like a bit more transparency and ‘spark’.
Critic's Comment
“Another safe and stable album from Spark Foundry. More ‘Pablo Honey’ or ‘Hail to the Thief’ than ‘OK Computer’.”