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AWARD Awards
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Where to start with Special? The team delivered another virtuoso performance from client wins, to work and more. It’s no surprise that its efforts saw it named B&T’s Agency of the Year in 2025.
Let’s start with the clients.
The agency now lists 33 clients in total, 12 on retainers and 21 on a project basis. You already know about the biggest: Uber and Uber Eats, PepsiCo and The Lottery Corporation. But it shouldn’t be forgotten that Specials lists other large brands including Chobani, Mecash, Origin Energy, TLC and Virgin Australia on its books.
Its project-based clients include Airbnb, Airwallex, RACV, Audible, Xero and more, as well as ANZ Bank which it continues to work with despite declining to take part in its 2024 creative pitch.
Over the course of 2025, it won 11 new accounts including Warner Bros., Jack Link’s, Honda and a couple which we are bound to secrecy not to reveal—though you can rest assured they’re big, chunky accounts.
Special’s work with existing clients expanded, too, with its Uber and Uber Eats relationship growing into more countries (with a large portion of the work done in Sydney), it retained PepsiCo and expanded to do its PR and cover the Twisties brand and it now does Cricket Australia’s participation marketing. None of Special’s existing clients called a pitch in 2025.
Special’s work has been celebrated at awards shows around the world (43 times, to be exact), including our own B&T Awards. Work from a variety of its Asia-Pacific offices has been shortlisted 15 times in the 2026 Cairns Crocodiles Awards. At the awards ceremony, it took home seven trophies—one gold and five silvers.
Special’s work for Uber and Uber Eats continued to be strong, particularly so for Uber Eats. Its work for Bonds with Robert Irwin genuinely stopped the internet (and the B&T office) for a day.
Much of Special’s global strength is built on the back of its crack Australian teams, which isn’t surprising given what it described as a “ruthless” focus on talent.
Its Sydney teams, for example, contributed to Super Bowl campaigns and creative teams across its Sydney and Melbourne offices will often act as one department to offer opportunities for new clients. One of Special Sydney’s strategy bosses led the strategy on a global pitch out of the US. Designers partnered with London and the US on major identity projects. One of its MDs was seconded to Los Angeles to lead a major project for three months.
There’s more, so much more, from its focus on hands-on, easy access to leadership for staff development to its expanded arrangements for working parents and admirable work in the fields of diversity, equity and inclusion. But if we were to list everything, this Agency Scorecard would begin to resemble War and Peace.
It’s little wonder that Special described itself in its submission as being like Radiohead, pushing the industry and the medium forward.
‘Get Almost Almost Anything’ continued to prove the enduring power of a simple, expandable platform across 8 markets (US, Canada, Taiwan, Spain, NZ, Australia, Portugal and Mexico). In 2025 the campaign scaled globally with a new wave of culturally hijacking work.
Building meaning into Special’s promise to deliver almost, almost anything also required it to connect with Aussies in and around the cultural moments that mean the most to them.
In the 2025 Australian Open, the agency shifted the focus from what it can’t deliver, to pushing the boundaries of what’s possible to deliver – like tennis star Andy Murray. The only problem? He didn’t actually want to be delivered.
This resulted in a full scale chase, played out in film, social, and editorial, before hijacking broadcast moments across news, traffic, and promos. Andy was eventually caught and delivered to one lucky Aussie via Uber Eats.
The 2025 Federal Election was another iconic moment that Special managed to put a fun twist on to prove its promise. Nothing is holier to Aussies than the Democracy Sausage – but when it discovered that 70 per cent of polling stations across Australia don’t serve them – Special knew it was our civic duty to step in.
Fronted by Aussie icon and chef Iain “Huey” Hewitson, the activation ensured all Aussies had access to their beloved electoral snags – all while ensuring community organisations were rewarded.
Bonds has long been an Australian icon but 2025 marked a bold new chapter as the brand launched into the US.
‘Made for Down Under’ introduced Bonds to a global audience with confidence, humour and unmistakable Australian attitude.
Fronted by Robert Irwin, the campaign leaned into Australia’s playful cultural codes to create an unmistakably distinctive brand launch that immediately cut through in the highly competitive US apparel market.
The work generated global conversation, introduced a new audience to the brand and proved that a proudly Australian perspective can resonate on a world stage.
The stats speak for themselves: nine billion impressions on the first day, $58.2 million earned media in first 24 hours,$83.4 m earned media value to date, #2 TikTok trending topic globally in the first weekend.
Launching a new streaming service into one of the world’s most saturated markets required a bold point of view.
With Australians overwhelmed by endless content choices Special positioned Max as the antidote: a premium platform built on quality over quantity overwhelmed by endless content choices.
‘All Killer, No Filler’ reframed the category conversation and used Max’s world-class IP as proof of the promise. The campaign became a national brand moment, cutting through the noise of the streaming wars and establishing Max as the streamer Australians had been waiting for.
The campaign garnered a seven point lift in brand awareness in just one week, 350 per cent above forecast on day one subscriptions, 20 million plus social views and engagements in week one, subs soared to 66 per cent above forecast.
On the success of Australia, Special won the launch into Italy and the UK.
We built Special knowing that if we put talent and culture first, everything else would follow – people would do the best work of their careers, that would attract new clients and the financials would take care of themselves. Continuing to be guided by that mantra has resulted in us defying the all industry odds and our finest year yet…
Not just a few big hits but a consistently high standard of work and results across all clients, all markets, all shapes, sizes and budgets of work.
Our unique global operating model supercharging work across 10 markets from Australia (including our fifth superbowl, growth into Hong Kong and Korea).
Growing our remit with existing clients, some very big new wins all without losing any retained clients.
Being future fit with a global AI native global operating system and Special Made production capability.
Growing in talent and seeing that talent recognised globally, regionally and locally. Unprecedented recognition including 12 AOY awards. We grew by every measure.
A wizard.
Gray has catapulted Special into the future with unrivalled currency and knowledge, wisdom and speed, security and inclusion.
Why? Pushing the industry and the medium forward…
Driven by an independent spirit to challenge the status quo. A relentless obsession with what’s next, not what’s known. Chasing a dent in the culture, not just a spot on the chart. Doesn’t follow the formula even when it would be easier.
Zero ‘rockstar’ ego, and a deep respect for the craft.
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Critic's Comment
“Years don’t get much better than this. Is 2025 Special’s OK Computer?”