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Reading: Smith’s Unveil New ‘Joy is a Simple Recipe’ Brand Platform Via Goodby Silverstein & Partners
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B&T > Campaigns > Smith’s Unveil New ‘Joy is a Simple Recipe’ Brand Platform Via Goodby Silverstein & Partners
Campaigns

Smith’s Unveil New ‘Joy is a Simple Recipe’ Brand Platform Via Goodby Silverstein & Partners

Staff Writers
Published on: 10th May 2024 at 8:28 AM
Edited by Staff Writers
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Aussie chip icon Smith’s has launched a new breakthrough platform, ‘Joy is a Simple Recipe’, a gleeful outing from one of Australia’s best-loved brands that reminds people to find their simple joys and celebrate the ingredients in life that create smiles.

The joy of Smith’s lies in its simplicity – its satisfying ‘chippy chippy chippy’ crunch, supreme flavors and delicious shareability – and Smith’s has been transforming everyday Aussie moments into celebrations of simple joy for snack-lovers for decades.

The platform will be brought to life through a series of three-word ‘recipes’ for joy, demonstrating that joy doesn’t need to be complicated, but it is unique and personal.

The platform’s first outing, through Digital, BVOD, Social and OOH will hero “Dog. Car. Window”, an infectiously joyous and simple spot, created with Goodby Silverstein & Partners and directed by the award-winning Nick Ball, set to immerse people in a deeply relatable moment of uncomplicated joy hiding in plain sight.

“Dog, Car, Window” will be followed by the unleashing of a vast array of three-word celebrations, including “Socks. Tiles. Slides”, “Hill. Sand. Board”, “Backyard. Barbie. Bants”, “Nap. Marker. Canvas” and “Road Trip. Tunes. Karaoke” bringing to life identifiable illustrations of everyday joy.

Knowing that joy is at its best when it feels personal, Smith’s will work with Special Group in Australia to tap into country-specific audience insights and create three-word recipes in OOH, digital and social channels, connecting Smith’s with its hugely loyal consumers across Australia. The market’s hyper-localised iterations will celebrate specific moments of Aussie joy, incorporating the nation’s unique geographies, cultures, experiences and personal passion points.

“Smith’s is not just a snack for Aussies; it’s a reminder that joy doesn’t require extravagance and is often just a simple recipe. Having been a part of many of those simple recipes and moments of joy for generations –Smith’s is excited to continue inspiring people to find their simple joys for decades to come,” said Vandita Pandey, chief marketing officer ANZ Snacks & Beverages, PepsiCo.

The launch marks the beginning of an ambitious brand overhaul, with Smith’s cheerfully embracing its nostalgic legacy and the significant 90-year history and long-standing relationships with Aussie farmers. The platform launch will be followed by joyful consumer activations and moments for Australian Smith’s lovers to enjoy, with new flavors on the way this year.

CREDITS

PepsiCo

  • Chief Marketing Officer ANZ, Snacks & Beverages: Vandita Pandey
  • Brand Transformation Lead, Smith’s: Hind Simhairi
  • Senior Brand Manager, Smith’s: Bridget McBride

Cost Consultant Company

  • Advertising Production Resources (APR)

Agency

  • Goodby Silverstein & Partners

Production Company

  • MJZ

End Animation Company

  • BUCK

Editorial Company

  • Union Editorial

Audio and Sound Design Company

  • Lime Studios

Music Supervision

  • Songs for Film & T.V.

Licensed Music – Dog. Car. Window.

  • Song: Ride Like The Wind

VFX Company

  • Untold Studios

Colour Grading Company

  • Company 3, London
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TAGGED: Goodby Silverstein & Partners, smiths chips
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Aimee Edwards
By Aimee Edwards
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Aimee Edwards is a former contributor at B&T, where she reported on media, advertising, and the broader cultural forces shaping both. Her reporting covers the worlds of sport, politics, and entertainment, with a particular focus on how marketing intersects with cultural influence and social impact. Aimee is also a self-published author with a passion for storytelling around mental health, DE&I, sport, and the environment. Prior to joining B&T, she worked as a media researcher, leading projects on media trends and gender representation—most notably a deep dive into the visibility of female voices in sports media. 

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