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Saatchi & Saatchi

Team PROFILE

Agency Type

Creative

Ownership

Publicis Groupe

tagline

Unlocking Unseen Growth

LEADERSHIP TEAM​

Patrick Rowe

CEO

Mandie van der Merwe

CCO

Avish Gordhan

CCO

Leif Stromnes

Chief strategy officer

Toby Aldred

Managing director

Leighanne Farmer

Finance director

Grace Lum

Head of people

Key Stats

Offices

Melbourne, Sydney

Headcount

100+

Gender Balance Staff

M: 38%
F: 62%

Gender Balance Leaders

M: 53%
F: 47%

Client book

Client Wins

10

Client Retentions

2

Largest clients

Arnott's

Nestlé

Toyota

Trophy Cabinet

2

AWARD Awards

1

B&T Awards

8

Australian Effies

1

AdFest

3

Shots Awards

Agency Scorecards report

If there is one agency living up to the spirit of this year’s B&T Agency Scorecards, it’s Saatchi & Saatchi.

Its copywriter and MVP William Campion was a proper muso before turning his attention to advertising, while star strategist and new (ish) recruit Leif Stromnes could certainly pass for a Seattle-based grunge guitarist.

Stromnes joined Saatchis from DDB late last year and the South African is regarded as one of the sharpest creative strategists going around.

Stromnes works alongside creative powerhouses Mandie van der Merwe and Avish Gordhan, rounding off an impressive leadership team under boss Patrick Rowe, who reckons he’d be the bass guitarist.

That said, B&T would love Saatchis to make a bit more noise throughout the year given it picked up an impressive haul of silverware.

The Toyota Hilux ‘In a Pickle’, which first hit TV screens in late 2024 and shows a Hilux pulling cars outside of a big mud puddle, was one of the standout ads of the year and picked three Effies and was shortlisted at Cannes.

The campaign also picked up a B&T Award for Best TV campaign.

Other work that caught the eye was Toyota’s ‘Good As New’ campaign, and another HiLux ad which sees the tray swamped with cute pooches. 

Arnott’s ‘Bikkie Belt’, which allows tradies to keep their favourite Arnott’s snacks with them at all times, was another banger.

The quality of Saatchi & Saatchi’s work was matched by a solid (if not spectacular) run of new business success.

The agency added the likes of Bank of Queensland, Youfoodz, Kraft, RSPCA and Nerds, to name a few. A major loss was the TPG Telecom (Vodafone) account to Howatson+Company.

When bass guitarist Rowe spoke to B&T last year, he talked about bringing a sense of fun back to advertising. 

We reckon he is living up to his promise. 

By unlocking a little bit more unseen growth, on the new business front and in the trophy cabinet, Saatchis could once again rise to the top of the class.

Saachi & Saachi's take on 2025

2025 was a bumper year for Saatchi & Saatchi. Our Hilux ‘In a Pickle’ campaign got lots of attention, winning TV Ad of the Year twice, shortlisted at Cannes and driving impactful results for Toyota including 3 x Effies, while we launched major campaigns for Lexus, Ampol, 13CABS, Arnott’s, Nestle and Animal Welfare League, translating creativity into commercial growth.

We had a huge new business year welcoming ten new clients and winning eight pitches, including, Bank of Queensland, Youfoodz, 13CABS, RSPCA, Pet Insurance, Kraft and Nerds candy.

Saatchi & Saatchi won more Effies for more clients than any other agency, cementing our reputation as a driver of growth. We won a record 8 Effies including the prestigious Colin Wilson-Brown Award and we were runner up Effie Agency of the Year. On top of that we scooped accolades from AWARD Award, AdFest, Shots and MADC.

And we also brought in lots of new talent including our new CSO Leif Stromnes.

At Saatchi & Saatchi, our Nothing is Impossible creative spirit combined with access to Publicis Groupe’s Connected ID data sets means we can truly unlock unseen growth for our clients. Bring on 2026!

William Campion,
Copywriter

Muso. Turned trademark lawyer. Turned advertising whiz. Member of the ACA Futures Board. Hilarious. Whip-smart. Makes copywriting look easy. Great hair.

If we were a band, we'd be...

Oasis

Two brothers. Unshakeable belief. Work that didn’t just win awards – it moved people, lodged itself in culture, and refused to be ignored. Could also be annoying at times.

Critic's Comment

“A solid set from Saatchi & Saatchi highlighted by consistently good work and recruiting some excellent band members.”