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B&T > Marketing > Opinions & Analysis > Media Buyers Reckon Mamamia’s Trusting Audience Is Its Secret Weapon
MarketingMediaOpinions & Analysis

Media Buyers Reckon Mamamia’s Trusting Audience Is Its Secret Weapon

Aimee Edwards
Published on: 10th September 2025 at 11:16 AM
Aimee Edwards
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11 Min Read
The Mamamia team at its upfronts.
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Gone are the days when women’s media was considered a niche play. At Mamamia’s 2026 upfronts, held yesterday at a packed State Library auditorium in Sydney, the publisher made a clear case that its 7.5 million-strong female audience is one of the most potent forces in Australian media.

The publisher’s leadership team, led by CEO Nat Harvey, CRO Georgie Nichols, and CCO Zara Curtis, pitched a confident vision: a “house of brands” content strategy, new creator partnerships through Fabulate, and shoppable ad products with Vudoo.

See the full coverage of the announcements here!

While the technology and new formats turned heads, media buyers agreed the real through-line was what Mamamia has earned throughout its nearly 20 years of operation, audience trust. Without it, the push into influencer partnerships and commerce could easily feel like gimmicks. With it, buyers said, the moves become a credible extension of how Mamamia already influences the daily lives of Australian women.

Trust As The Foundation

Initiative CEO Jo McAlister said what impressed her most was how deeply the brand has evolved while staying true to its roots. There is no greater reflection of this, she said, than the fact that founder Mia Freedman could “sit back and just see the work in front of them,” letting leadership take centre stage. The strength of executives like Harvey, Nichols, and Curtis, she said, proved the brand is in safe hands.

Profile photo of Jo McAlister
Jo McAlister

McAlister added that Mamamia’s ability to speak to multiple demographics, from Gen Z podcast listeners to older women with disposable income, came through clearly. What really resonated was how the company framed women’s economic power: “It actually spoke to me. I’m on the lounge at night, I’m ordering something, I’m watching something, and I’m holding a conversation. They’ve got an incredible take on women in this country”.

AlchemyOne’s managing partner, Huong Nguyen, backed this up, saying that this positioning felt especially relevant in a climate where authenticity is scarce.

Profile photo of Huong Nguyen
Huong Nguyen

“Considering the broader context of underinvestment in local content, dwindling trust, and fears around AI replacing more authentic human connections, trust and relevance, through culture, connection, and community, was the most compelling overall narrative at today’s upfront and will resonate with consumers, brands, and agencies alike. It’s a clever strategic play that allows Mamamia to create more implicit value and premium in their content and talent”.

Kim Norman, Wavemaker Sydney head of investment, said: “The media landscape is in rapid transition. AI is accelerating content creation, audiences are fragmenting, and consumer pathways to discovery are shifting. In this environment, advertisers face one universal challenge: how to connect with audiences in ways that are both meaningful and commercially effective.

Profile photo of Kim Norman
Kim Norman

“Mamamia’s upfronts put forward a clear answer: Culture + Connection + Community = Trust”.

Fabulate Jumps On Board

Mamamia’s announcement of its partnership with Fabulate, the AI-powered influencer marketing platform, marked one of the most closely watched moments of the upfront. For years, Mamamia has leaned on the credibility of its writers and podcast hosts to sway consumer behaviour. Now, with Fabulate in the mix, it’s extending that influence into a broader creator ecosystem, but doing so in a way that promises brand safety, transparency and scale.

Under this new partnership, brands can continue to work with Mamamia’s in-house talent, but will also have the ability to access Fabulate’s 1.2 million-strong Australian influencer network, underpinned by AI tools for discovery, campaign management and reporting.

Nick Murdoch, managing partner at Yango, said the tie-up felt like a natural step. The real strength is the way Mamamia’s audience trust carries over into partnerships with external creators. “If you really know the audience and who you’re after, and you know it fits well with Mamamia, then it makes sense. They can facilitate that and make it happen easily.”

Profile photo of Nick Murdoch
Nick Murdoch

Rebecca Segalla, group investment director at Mediahub, emphasised the practical side. She pointed out that influencer marketing is notoriously labour-intensive for agencies and brands: checking reach, alignment, and authenticity all take time. “There’s a lot of work that has to happen when we engage with influencers, checking for the right fit, alignment with the brand. Having Fabulate in the mix adds another layer of reassurance,” she explained.

Profile photo of Rebecca S.
Rebecca Segalla

For Nguyen, Fabulate adds another weapon rather than upending strategy. “This will not necessarily change how we plan influencer and creator campaigns; however, it offers an additional weapon in their arsenal that can be added into the broader mix to help drive incremental, cost-efficient reach.”

Vudoo Turns Attention Into Action

If Fabulate was about widening the circle of influence, Mamamia’s partnership with Vudoo is about closing the loop, taking trusted recommendations and making them instantly shoppable. The new commerce suite, unveiled on stage, includes interactive video overlays, vodcast integrations, and programmatic shoppable ads that allow audiences to add items to cart without leaving Mamamia’s ecosystem.

For Mamamia, the move builds directly on the fact that its audiences already act on recommendations. The publisher pointed to data showing that 74 per cent of its audience trusts product endorsements from its talent, and two-thirds have purchased a product after seeing it on Mamamia.

Building on this, Vudoo is designed to eliminate the friction in that process and make buying as seamless as watching or listening.

Buyers told B&T that this proposition felt less like a gimmick and more like a natural evolution of what Mamamia already does. Murdoch said the logic was self-evident: “It makes total sense… If you see something you like, you want to buy it, and it’s just a few clicks away, then people are going to do that.”

Segalla noted that for categories built around impulse or lifestyle purchases, the opportunity is clear. “It’s a great opportunity for product-based brands looking to convert sales in an environment that feels a little more natural to their target audience,” she said.

For Nguyen, the significance lies in reducing friction and delivering measurable outcomes. “Introducing more shoppable formats doesn’t necessarily change the perception that Mamamia has an extremely engaged, highly responsive audience. However, this will help advertisers and agencies create less friction in delivering and measuring conversion and performance-led outcomes”.

“With 74% of their audience trusting recommendations and 63% taking action as a result, Mamamia demonstrates the value of environments where authentic connections enhance brand outcomes. While trust isn’t yet a universal buying currency like CPM, it is a critical planning consideration. Advertisers should treat high-trust environments as strategic complements to scaled platforms, where trust amplifies effectiveness,” said Norman.

Underlying all of this, buyers agreed, is Mamamia’s trust dividend. Shoppable ads can often feel intrusive or transactional, but in a brand environment where the audience already believes the recommendations, the experience feels organic. By embedding commerce within content that women already turn to for advice, entertainment, and community, Mamamia and Vudoo are aiming to transform passive attention into active sales.

Women As The Market Movers

Mamamia’s upfront hammered home the point that women hold the spending power. McAlister admitted she saw herself reflected in that narrative: “I’m their audience. I really buy everything from an ad these days… I’m a real sucker for sparkly things. But when you’re a busy working mum, being able to offer shoppable is just a game changer.”

Murdoch said that what makes Mamamia’s case compelling is not just the stats, but the way it treats women as full, complex consumers. “They doubled down on what makes them powerful, which is trust. They’re very focused on their category and their audience, so there’s no ambiguity. You know exactly what you’re going to get with Mamamia.”

Nguyen went further, calling the event a rallying call. “Overall, it was a strong, almost evangelical call to arms for brands and agencies to consider their unrivalled reach of female audiences and their sheer influence on buying decisions across all categories.”

“While it’s less relevant for categories that specifically target women, it will no doubt open the door for conversations and potentially more interesting solutions for categories not naturally targeted at women”.

The upfront didn’t spend much time unpacking measurement frameworks, but buyers said the depth of audience insight presented gave them confidence. As Segalla summed up: “The upfront has shown that they’re continuing to do what they do well. They are so strong in the female audience in Australia. I’m excited to see how much further they can grow next year.”

In the end, the technology announcements mattered less than the credibility behind them. By anchoring Fabulate and Vudoo in the trust it has earned with women over nearly two decades, Mamamia convinced buyers that it is truly the gateway to cultural connection.

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TAGGED: AlchemyOne, Featured, Initiative, Mamamia, mediahub, Yango
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Aimee Edwards
By Aimee Edwards
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Aimee Edwards is a former contributor at B&T, where she reported on media, advertising, and the broader cultural forces shaping both. Her reporting covers the worlds of sport, politics, and entertainment, with a particular focus on how marketing intersects with cultural influence and social impact. Aimee is also a self-published author with a passion for storytelling around mental health, DE&I, sport, and the environment. Prior to joining B&T, she worked as a media researcher, leading projects on media trends and gender representation—most notably a deep dive into the visibility of female voices in sports media. 

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