B&TB&TB&T
  • Advertising
    • Campaigns of the Month
    • Effectiveness
    • League Tables
    • Opinion & Analysis
    • PR
    • Production & Craft
    • Social
    • Strategy & Insight
  • Agencies
    • Agency Scorecards
    • Appointments
    • Culture Bites
    • League Tables
    • New Business
    • Opinions & Analysis
    • Profiles
    • The Work
    • Fast 10
  • Awards
    • 30 Under 30
    • B&T Awards
    • Cairns Crocodiles Awards
    • Hatchlings
    • Women in Media
    • Women Leading Tech
  • Best of the Best
  • Brands
    • Appointments
    • Campaigns
    • Culture Bites
    • Opinions & Analysis
    • Partnerships
    • Spotlight on Sponsors
  • Campaigns
    • Campaigns of the Month
    • League Tables
    • Opinion & Analysis
    • The Work
  • CMOs
    • Appointments
    • CMO Power List
    • CMOs to Watch
    • Opinions & Analysis
  • Marketing
    • Appointments
    • Customer Experience
    • Data & Insights
    • Opinions & Analysis
    • Spotlight on Sponsorship
    • Strategy
    • Sports Marketing
  • Media
    • AI
    • Appointments
    • Audio
    • Digital
    • Headliners presented by Nine
    • News
    • News Media & Publishing
    • Opinions & Analysis
    • Out of Home
    • Platforms
    • Radio Ratings
    • Retail Media
    • Social
    • Spotlight on Sponsors
    • Streaming
    • Trading & Upfronts
    • TV Ratings
  • Technology
    • AdTech & MarTech
    • AI
    • Appointments
    • Opinions & Analysis
    • Platforms
  • Cairns Crocodiles
Search
Trending topics:
  • Featured
  • Nine
  • Cairns Crocodiles
  • Pinterest
  • Seven
  • B&T Exclusive
  • Australian Open
  • Married At First Sight
  • Partner content
  • ABC
  • Thinkerbell
  • Meta
  • 30 Under 30
  • Women Leading Tech
  • Cairns Crocodiles Speaker Spotlight
  • AFL
  • SCA
  • TV Ratings
  • Radio Ratings
  • Sports Marketing

  • About
  • Contact
  • Editorial Guidelines
  • Privacy
  • Terms
  • Advertise
© 2025 B&T. The Misfits Media Company Pty Ltd.
Reading: Peter Majarich’s Black Box Takes Inaugural DISRUPT AI Film Festival Grand Prix
Share
Subscribe
B&TB&T
Subscribe
Search
  • Advertising
    • Campaign of the Month
    • Effectiveness
    • League Tables
    • Opinion & Analysis
    • PR
    • Production & Craft
    • Social
    • Strategy & Insight
  • Agencies
    • Agency Scorecards
    • Appointments
    • Culture Bites
    • League Tables
    • New Business
    • Opinions & Analysis
    • Profiles
    • The Work
    • Fast 10
  • Awards
    • 30 Under 30
    • B&T Awards
    • Cairns Crocodiles Awards
    • Hatchlings
    • Women in Media
    • Women Leading Tech
  • Best of the Best
  • Brands
    • Appointments
    • Campaigns
    • Culture Bites
    • Opinions & Analysis
    • Partnerships
    • Spotlight on Sponsors
  • Campaigns
    • Campaigns of the Month
    • League Tables
    • Opinion & Analysis
    • The Work
  • CMOs
    • Appointments
    • CMO Power List
    • CMOs to Watch
    • Opinions & Analysis
  • Marketing
    • Appointments
    • Customer Experience
    • Data & Insights
    • Opinions & Analysis
    • Spotlight on Sponsorship
    • Strategy
    • Fast 10
    • Sports Marketing
  • Media
    • AI
    • Appointments
    • Audio
    • Digital
    • Headliners presented by Nine
    • News
    • News Media & Publishing
    • Opinions & Analysis
    • Out of Home
    • Platforms
    • Radio Ratings
    • Social
    • Spotlight on Sponsors
    • Streaming
    • Trading & Upfronts
    • TV Ratings
    • Retail Media
  • Technology
    • AdTech & MarTech
    • AI
    • Appointments
    • Opinions & Analysis
    • Platforms
  • Cairns Crocodiles
Follow US
  • About
  • Contact
  • Editorial Guidelines
  • Privacy
  • Terms
  • Advertise
© 2026 B&T. The Misfits Media Company Pty Ltd.
B&T > Technology > AI > Peter Majarich’s Black Box Takes Inaugural DISRUPT AI Film Festival Grand Prix
AITechnology

Peter Majarich’s Black Box Takes Inaugural DISRUPT AI Film Festival Grand Prix

Staff Writers
Published on: 27th November 2025 at 3:12 PM
Edited by Staff Writers
Share
3 Min Read
SHARE

Australia’s first DISRUPT AI Film Festival (DAIFF), held at ACMI in Melbourne, has announced its inaugural Gen AI film winners, with Black Box directed by Peter Majarich taking home the Grand Prix. 

Held during Australia’s AI Week 2025, DAIFF contributes to the country’s wider effort to build practical AI capability across creativity, culture and technology.

Australia’s first dedicated Gen AI film festival, DAIFF, was created to fill a clear gap: Australia had rising interest and experimentation, but no national mechanism to see the work, interrogate the tools, or connect talent with industry. The ambition was simple and pointed: move the conversation on creative AI from “we think” to “we know”, using evidence rather than opinion.

In its first year, the festival received 371 films, with 38 shortlisted, representing 67 hours of AI-generated storytelling, almost the same length of all eight series of Game of Thrones.

Early analysis of this dataset reveals how Australian creators are working with Gen AI today, signals, which demonstrate Gen AI filmmaking is not an automated output; it is iterative, labour‑intensive and driven by human judgement.

DAIFF is supported by sponsorship from TBWA, Google, Leonardo.AI, BMW and Holding Redlich, with support from RMIT University, Swinburne University of Technology, AFTRS and DAIC.

The festival is deliberately Australian-built and Australian-led, featuring Australian creators. It also establishes a visible talent pipeline: through partnerships with RMIT, Swinburne, and Leonardo.ai, which gave every participating student 5,000 tool credits and dedicated education in human creativity and AI craft.

Shortlisted films complied with Screen Australia guidelines and were reviewed by lawyers for copyright and IP, providing a legal and ethical framework from the outset.

“DAIFF is Disruption in action. We built this festival to give our talent, our industry and our clients a national advantage, real capability, real insight and a clearer path to growth. This is how Australia competes: by backing creativity, setting our own standards and building the infrastructure others haven’t,” said Kimberlee Wells, CEO of TBWA Australia.

“DAIFF exists because the industry needed a way to separate noise from reality. This dataset moves us from ‘we think’ to ‘we know’. By bringing together platforms, universities, legal partners and industry, we’ve created the first shared foundation for Gen AI storytelling in Australia. It gives us a baseline to deepen the work with our academic partners and build the research Australia needs for what comes next,” added DAIFF co-founder and TBWA chief AI and innovation officer, Lucio Ribeiro.

2025 DAIFF Winners

  •  Grand Prix: Black Box — Director: Peter Majarich

  • Best Short Film: Lens Wide Open— Director: Bruce Hunt

  • Best Long Form: Erase — Director: Ash “forevercoast” Phillips

  • Best Student Film: Unhold — Director: Apoorva Tandon

Join more than 30,000 advertising industry experts
Get all the latest advertising and media news direct to your inbox from B&T.

No related posts.


TAGGED: tbwa melbourne
Share

Latest News

TV Ratings (31/3/2026): MAFS Chaos Peaks With Flirting, Lies & ‘Putrid’ Fallout
01/04/2026
It’s A Lot With Abbie Chatfield Returns To Acast
01/04/2026
‘Absolutely Critical’: Renee Noble Stresses Importance Of Mentors After Women Leading Tech Awards Win
01/04/2026
Spotify Reveals New AI-Powered Ad Solutions For Aussie Brands
01/04/2026
//

B&T is Australia’s leading news publication magazine for the advertising, marketing, media and PR industries.

 

B&T is owned by parent company The Misfits Media Company Pty Ltd.

About B&T

  • About
  • Contact
  • Editorial Guidelines
  • Privacy
  • Terms
  • Advertise

Top Categories

  • Advertising
  • Campaigns
  • Marketing
  • Media
  • Opinions & Analysis
  • Technology

Sign Up for Our Newsletter



B&TB&T
Follow US
© 2026 B&T. The Misfits Media Company Pty Ltd. All Rights Reserved.
Welcome Back!

Sign in to your account

Register Lost your password?