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Reading: The Monkeys’ Barbara Humphries Named Jury President For The One Show 2025
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B&T > Advertising > The Monkeys’ Barbara Humphries Named Jury President For The One Show 2025
Advertising

The Monkeys’ Barbara Humphries Named Jury President For The One Show 2025

Staff Writers
Published on: 23rd October 2024 at 10:31 AM
Edited by Staff Writers
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Barbara Humphries, executive creative director, The Monkeys.
Barbara Humphries, executive creative director, The Monkeys.
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Barbara Humphries, executive creative director at The Monkeys in Sydney, has been named as Jury President for the Green Pencil discipline for The One Show Awards 2025.

Senior creative leaders from around the world are appointed as Jury Presidents to lead the judging for each discipline and have a vote on the work.

“The One Show’s reputation is built on the integrity of its juries and judging process,” said Kevin Swanepoel, CEO, The One Club. “Barbara and the rest of the Jury Presidents will help further this legacy of the fairest and most positive judging process”.

In addition, members of The One Club board of directors will be present during judging, serving as non-voting facilitators in jury discussions.

Entries to The One Show 2025 can be submitted now, with fees increasing after each deadline period. Super-early entry deadline for the greatest savings is November 1, 2024. Early entry deadline is December 13, 2024, with the regular deadline January 31, 2025. The extended deadline is February 14, 2025, and final deadline February 28, 2025.

The One Show 2025 full juries will be announced in December, and early judging starts in January 2025. Finalists announced in April 2025, with Gold, Silver, and Bronze Pencil and Merit winners announced in May during Creative Week 2025 in New York.

Other confirmed One Show 2025 Jury Presidents, by discipline, are as follows:

Brand-Side/In-House: David Lee, chief creative officer, Squarespace, New York

Branded Entertainment: Malcolm Poynton, global chief creative officer, Cheil Worldwide, London

Creative Use of Data, Creative Use of Technology: Nancy Crimi-Lamanna, chief creative officer, FCB Canada, Toronto

Cultural Driver: Bianca Guimaraes, partner, executive creative director, Mischief, New York

Design: Liza Enebeis, creative director, partner, Studio Dumbar/DEPT, Rotterdam

Direct Marketing: Vicki Maguire, chief creative officer, Havas London

Film & Video: Javier Campopiano, global chief creative officer, McCann Worldgroup & McCann Global, Madrid

Gaming: Taj Reid, global chief experience officer, US chief creative officer, Edelman, New York

Integrated, Experiential & Immersive: Chris Beresford-Hill, worldwide chief creative officer, BBDO, New York

Fusion Pencil: Walter T. Geer III, chief creative officer, Innovation North America, VML, New York

Health & Wellness, Pharma: Wendy Lund, chief client officer, WPP, New York

IP & Product Design: Ronald Ng, global chief creative officer, MRM, New York

Moving Image Craft & Production: Irene Kugelmann, chief creative officer, DDB Group of Companies Germany, Berlin

Music & Sound Craft: Joel Simon, chief creative officer, JSM Music, New York

Out of Home, Print & Promotional: Kainaz Karmakar, chief creative officer, Ogilvy India, Mumbai

Public Relations: Patricia Ávila, regional director for Latin America, Ágora, São Paulo

Radio & Audio: Suhana Gordon, chief creative officer, LoveSong, Cape Town

Social Media: Federico Duran, SVP, ECD, .monks, Los Angeles

Sustainable Development Goals Pencil: Thomas Hongtack Kim, chief creative officer, partner, Paulus, Seoul

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TAGGED: barbara humphries, The Monkeys, The One Show Awards
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Fredrika Stigell
By Fredrika Stigell
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Fredrika Stigell is a journalist at B&T with a focus on all things culture. Fredrika is also completing a Master of Archaeology, focusing on Indigenous rock art and historical artefacts in Kakadu National Park. Previously, she worked at a heritage company helping to organise storage collections for Sydney historical artefacts. Fredrika majored in English during her Bachelor's and is an avid reader with a particular interest in 19th and 20th century literary fiction.

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