City Post Expands To Take On Shorts

City Post Expands To Take On Shorts
B&T Magazine
Edited by B&T Magazine
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City Post, Melbourne’s multi-award winning post-production facility has expanded capacity to take on short-form content, such as funded web series and TVC’s, as it also welcomes new staff.

“There’s such a huge range of fantastic content being produced in bite-sized form and we’re thoroughly enjoying working with a diverse range of passionate filmmakers to tell such a broad range of stories” said award-winning editor and City Post’s MD, Wayne Hyett.

City Post recently completed grading on the web-series Graceful: amazing Grace (series 2) by Trumoney Films about growing up which launched 9 March; and a new December Media-backed web[1]series called Incoming: Words of War about seven soldiers who take part in a social experiment, due for release in April.

Previously, City Post worked on Girl, Interpreted which was nominated for an AACTA award; Trip for Biscuits released on ABC iView; First Nations: Bedtime Stories and The Drop Off (series 2).

City Post has also ventured into the world of TVC’s; taking on a series of commercials for ‘Reflex Paper’, including housing the production on-site from pre-production through to delivery. And colour grading has just completed on a new advertising campaign for Visit Victoria.

“As we’ve been expanding our capacity over the last couple of years,” said Operations Manager Nadia Diggins.

“We’re finding we often have capacity to work on faster turnaround or contained productions
such as TV commercials and web-series, in and around some of the larger projects we have in
production at any one time, like feature documentaries with Genepool Productions and DNX Media; TV series like The Newsreader with Werner Productions; The Record for Her Productions; animated series like Kitty is Not a Cat for BES, or Monster Beach with Studio Moshi for Cartoon Network.”

Joining the team are Anna Phelps as Post Producer, and Nick Prior as Media Operations Manager.

Phelps and Prior bring an extensive range of skills to the City Post team, with post-production credits ranging across reality TV, factual, live-to-air, advertising and branded content.

“City Post is all about delivering the highest quality work,” Diggins added.

“We’re using the same pool of experienced editors, VFX teams and graders as other facilities, with sophisticated editing, grading and sound-suites on-site and a robust, secure pipeline for working remotely. We’re very excited to be expanding both our client base and services.”

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