Judge Labels Bauer’s Defamation Of Rebel Wilson As “Orchestrated Slur”

Judge Labels Bauer’s Defamation Of Rebel Wilson As “Orchestrated Slur”
SHARE
THIS



Yesterday, a judge ordered Bauer Media to pay the Australian actress Rebel Wilson a staggering $4.56 million in compensation following her successful defamation victory.

In handing down the verdict in the Victorian Supreme Court, Justice John Dixon was scathing of the magazine publisher and described the series of articles as both “orchestrated” and a deliberate “slur”.

“Bauer Media published to advance its own corporate interests to improve its circulation or increase views, hits, in the expectation of higher profits,” Dixon said in delivering his verdict that included a record for a defamation payout in Australian legal history.

You can read Justice John Dixon’s full verdict below or via this PDF

The jury’s verdict on 15 June 2017 established that Bauer Media’s publications had branded Ms Wilson a serial liar, who had fabricated almost every aspect of her life. Nothing she said about herself could be taken as truth.

The jury rejected the defences of substantial truth, triviality, and statutory qualified privilege.

I concluded that the defences of common law qualified privilege must also fail.

The damage suffered by Ms Wilson warrants a substantial damages award to vindicate her and nail the lie.

At trial, and in the full media glare, Bauer media attempted to characterise its articles as true, or as trivial, or as not likely to be taken seriously.

Substantial vindication can only be achieved by an award of damages that underscores that Ms. Wilson’s reputation as an actress of integrity was wrongly damaged in a manner that affected her marketability in a huge, worldwide marketplace, being the market for Hollywood films of the type in which Ms. Wilson appeared.

The extent of the publication of the defamatory imputations against Ms. Wilson was unprecedented in defamation litigation in this country.

Because of instantaneous distribution across the world wide web, precisely at a time when the media worldwide, but particularly in the USA, was focused on her success in the just-released Pitch Perfect 2.

The publication had a long-lasting and profound impact on Ms. Wilson, both physically and psychologically, and caused her significant distress. Substantial damages are necessary to compensate her for the injury to her feelings.

Ms Wilson is entitled to aggravated damages due to Bauer Media’s conduct into circumstances of the publication. For that reason, the cap for general damages in defamation proceedings imposed by the Defamation Act, which is currently $389,500, does not apply.

Three particular features of Bauer Media’s conduct warranted that finding of aggravation.

First, Bauer Media failed to properly investigate the allegations made against Ms. Wilson, and published them in Women’s Day, knowing them to be false.

The allegations were based on information from a source who required payment and anonymity and whom the editor considered had an axe to grind.

Secondly, they repeated the offending allegations when they knew or foresaw that their defamatory slurs would be repeated in the entertainment and celebrity media.

Thirdly, their conduct was orchestrated. It was a campaign that was designed to cast a slur on Ms Wilson that would attract interest. Bauer Media published to advance its own corporate interests to improve its circulation or increase views, hits, in the expectation of higher profits.

It kept the story alive for days.

Bauer Media appreciated the risk of reputational damage to the plaintiff, and did not care whether Ms. Wilson suffered it as it pursued it’s own corporate objective.

I am satisfied that but for the repetition of the defamatory stings over the grapevine into US entertainment and celebrity media, Ms. Wilson would have been cast in lead roles or co-lead roles in feature films during the 18 month period following the media firestorm that the publications caused, and that some pf those film projects would have been completed.

This did not happen, and I have concluded that the defamatory publication inflicted substantial financial loss on Ms. Wilson. This loss was valued by substantially discounting the gross value of the opportunity that she had in mid-2015 of offers of new screen roles following the success of Pitch Perfect 2.

By reference to my assessment of the probabilities that it would actually have come about in this way, I have assessed the loss actually suffered by Ms Wilson by reason of the defendants’ tortious conduct.

The judgement of the court is that the defendants Bauer Media Pty Ltd … pay the plaintiff Rebel Wilson damages totaling $4,567,472 before interest and costs are added.

The damages award is comprised of $650,000 in general damages, including aggravated damages, and $3,917,472 in special damages for Ms Wilson’s opportunity for new screen roles, lost by reason of the defendant’s publications.

I’ve published my reasons and a brief summary to be distributed with them. I will invite counsel to agree the quantum of interest to be included in the judgement on the basis referred to in my reasons and I will hear counsel on the question of costs.

Please login with linkedin to comment

Bauer Media Rebel Wilson

Latest News

Don’t Lose The Motivation! Four Tips To Staying On Top When Building A Business
  • Opinion

Don’t Lose The Motivation! Four Tips To Staying On Top When Building A Business

Alan Manly (pictured below) is the founder and CEO of Group Colleges Australia and author of the books The Unlikely Entrepreneur and When There Are Too Many Lawyers There Is No Justice. In his latest B&T post, Manly offers his tips for keeping the motivation up when starting any new venture… The thrill of establishing a startup is […]

Opinion

by B&T Magazine

B&T Magazine
Advertising: From Creativity To A Commodity
  • Advertising
  • Opinion

Advertising: From Creativity To A Commodity

In his latest post, B&T’s favourite industry veteran and rabble rouser, Robert Strohfeldt, argues many agencies these days are overthinking and over-cooking the whole creative thing when, in reality, it need not be that difficult… Recently I wrote a withering criticism of a young planner who was critical of the past – nothing wrong with that in […]

Opinion

by B&T Magazine

B&T Magazine
Initiative Perth Bolster Senior Leadership Team
  • Media

Initiative Perth Bolster Senior Leadership Team

Initiative Perth has expanded its senior management team with appointments to lead the recently won Lotterywest portfolio, as well as a new head of digital. The appointments follow major account wins by Initiative Perth that underpin the agency’s most successful year in the WA market. Vikki Stacy has been appointed to lead the Lotterywest account, […]

OMD Loses Another Managing Director
  • Advertising
  • Media

OMD Loses Another Managing Director

OMD's lost yet another MD. And by that, B&T means she's left the building; not alone in a darkened forest somewhere.

by B&T Magazine

B&T Magazine
Redengine SCC Taps Duncan Shields As Creative Director
  • Media

Redengine SCC Taps Duncan Shields As Creative Director

Continuing to bolster the senior ranks of its creative team, full-service creative agency Redengine SCC has appointed Duncan Shields as creative director. Previous to this role, Shields has held senior creative positions at Y&R Group, M&C Saatchi S&E and DDB in Australia as well as RMG/JWT in London. He played an instrumental role in launching […]

Visit Victoria Pitches Creative Account
  • Advertising

Visit Victoria Pitches Creative Account

Keen on snaring the Visit Victoria creative account? Well, best find your hat & the appropriate ring to throw it into.

by B&T Magazine

B&T Magazine
Publicis.Sapient Appoints Aussie MD
  • Marketing
  • Technology

Publicis.Sapient Appoints Aussie MD

Publicis.Sapient announces new MD who apparently didn't arrive on horseback holding Neptune's three-pronged trident.